For never since the night he was arrested had he dared to dream
that he would leave Liége alive. His attempted escape from the city
with Sylvia, his passing under the false guise of two different
Frenchmen--the necessity for which he had always loathed, while
understanding that in this way alone could he reach her--the testimony
that Francbois would surely give against him, and the imputed murder
of a man in the pay and service of France, must overwhelm and confound
him.
Thinking still of the woman he had learnt to love so dearly, he
let his eyes roam over that gloomy, solemn hall and observe all that
it contained while heeding little. He saw the officers of his
country's immemorial foe conversing together ere they should begin to
question him. He saw, too, the ancient arms that hung all round the
walls--pikes, swords, maces, and halbards, musketoons and muskets;
also, he saw far down at the other end another man who was,
undoubtedly, like himself, a prisoner. A man guarded by more soldiers
and with his hands chained together; one whose face was bruised and
raw, as though, in his capture, he had been badly wounded; one who,
leaning forward with that face resting on his hands, and his eyes upon
the ground, presented an appearance of brutish indifference to his
surroundings as well as to his almost certain fate.
"The witness who will be produced before you, and the prisoner's own
actions, will give you the matter," De Violaine said now, addressing
the other members of the court, "upon which you have to form a
conclusion. The witness is the traitor, Francbois, whom you condemned
yesterday. What he knows he must tell in spite of his condemnation, or
means will be used to make him do so," and he glanced towards a man
leaning behind one of the great stone columns that, at regular
distances, supported the heavily-traced and groined roof. For there
was still another man within that hall, one on whom Bevill's eyes had
not yet lighted--a man, old and grizzled, yet strong and burly and
roughly clad--a man who stood by a strange-looking instrument that lay
along the floor and was a complicated mass of rollers and cords and
pulleys--a thing that was, in truth, the rack. Near this there stood,
also, four or five great copper pots, each holding several gallons of
water, and having great ladles of the same metal in each. These things
stood here close to the rack and that dark, forbidding man because, as
all of that Court knew well, when the rack failed to elicit the truth
from prisoner or suspected witness, the _question à l'eau_--namely,
the pouring of quart after quart of water down the throats of the
wretched victims, never failed in its effect.
"Let us hear the man," an officer who was in command of the Regiment
de Montemar said. "If he endeavours to lie or to deceive us the----"
and he glanced towards the executioner as he leant against the column.
Public-domain text, read in full here on John Shaqi.
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