The Sword of Honor; or, The Foundation of the French Republic: A Tale of The French RevolutionSue, Eugène
History
The Sword of Honor; or, The Foundation of the French Republic: A Tale of The French Revolution
Sue, Eugène
France -- History -- Revolution, 1789-1799 -- Fiction
With a final farewell gesture to the throng, Desmarais quitted the
balcony and re-entered his apartment. In a few moments the column took
up its interrupted march, and disappeared. Almost immediately there
disgorged itself tumultuously into St. Honore Street a band of men of an
aspect strangely contrasting with that of the populace just addressed by
Monsieur Desmarais. Some were dressed in rags, others wore a garb less
sordid, but nearly all bore on their faces the stamp of vice and crime.
The band was composed of men without occupation; do-nothing workmen;
debauched laborers; petty business men ruined by misconduct, become
pickpockets, sharpers, infesters of houses of ill fame and other evil
resorts; robbers and convicts, assassins--a hideous crowd, capable of
every crime; an execrable crowd, whom our eternal enemies keep in fee
and easily egg on to these saturnalia, for which the people is but too
often held culpable; wretches in the hire of the priests, the nobles and
the police.
At the head of these bandits marched a man with the face of a brigand,
of gigantic stature and herculean frame, and conspicuously well clad.
Once a "cadet," then a gaming-house proprietor, then usher of the Church
of St. Medard, Lehiron, for such was the name of the leader of the band,
had been expelled from his last employment for the theft of the
poor-box. Around his waist a sash of red wool held two horse-pistols and
a cutlass that had parted company with its sheath. His coat and the
cuffs of his shirt rolled back to the elbow, he gesticulated wildly with
his bare hands, which were clotted with blood. At the end of a pike he
still bore the head of Monsieur Flesselles, and from time to time, while
brandishing the hideous trophy, he would cry out in a stentorian voice:
"Long live the Nation! To the lamp-post with the aristocrats! Death to
all the nobles!"
"Death to the enemies of the people! The aristocrats to the lamp-post!"
repeated all the bandits, brandishing their pikes, their sabers, or
their guns blackened with powder.
"To the lamp-post with the aristocrats!" also cried the shrill and
piercing voice of an urchin who gave his hand to a miserably clad
character, the man of the false beard of whom Desmarais had spoken. It
was the Jesuit Morlet, and the boy his god-son, little Rodin. At the
moment that the band hove in sight of the lawyer's dwelling, the Jesuit
drew close to Lehiron, and spoke a few words to him in a low voice. The
latter stopped, signed to his followers for silence and cried at the top
of his leathern lungs:
"Death to the bourgeois! Death to the traitors! To the lamp-post with
Desmarais!"
Public-domain text, read in full here on John Shaqi.
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