Italy -- History -- 20th century -- Fiction; Man-woman relationships -- Fiction; Rich people -- Fiction
With equal power the voice of moral obligation and that of pure desire
made their plea. Now the duty of a wife pointed the way, now her love
for Mario. Insistently the prospect of Tarsis dead mingled itself with
a vision of her fetters struck off--her heart no longer bond, but
free to obey the law it had broken. She had prayed that Mario’s life
might be spared, and now she was tempted to leave her husband to his
destiny, to go on to the love for which her soul hungered, to claim
the happiness that seemed ordained of events. In the minute that she
waited, a captive of warring emotions, shop-keepers up and down the
street were putting shutters to their windows and shouting to her, “To
your home, signora; to your home!” The air grew thick with the roar of
the mob. A few seconds and it would be too late to save the life that
meant death to her happiness.
“Down with Tarsis!” The cry was so near as to rise distinct out of the
fearful dissonance. And in an impulse that came as the words fell upon
her ears she gave her horse a stroke of the whip and galloped hard for
the palace gates. In the court she sprang from the saddle, ran past the
garage and stables, reached the main portico, and hurried up the grand
staircase and through the gloom of the corridors, calling the name of
her husband--“Antonio! Antonio!” There was no answer save the chuckling
echo of the great halls. She gained the Atlantean chamber, and,
thinking of the library where he spent so much of his time, made for
the door of it, at the farther-most angle of the great room. Knocking
stoutly, she called out again:
“It is I, Hera!”
On the other side there was the sound of movement, the striking of
a match; then the door was opened, and she beheld Tarsis, a lighted
candle in his trembling hand. In that moment all the bitterness he had
planted in her soul gave way before a flood of pity.
“I knew your voice,” he said, weakly. “Why have you come back?”
“To tell you to fly! The mob will be here!”
He seemed to be in a stupor of fear. “I thought I heard them,” he
said, huskily. “Are they coming to the palace?”
“Yes; they have broken through the military lines. Signor Ulrich told
me.”
“Signor Ulrich! You saw him?”
“Yes; he has fled. He said that he heard them crying out against you!”
“What did they say at the Questura? Am I not to have my guard of
carbineers?”
“There is no time for a guard,” she answered, taking hold of his
sleeve. “I tell you that the mob is approaching up Via Cappuccini.
Come! We can go out by the Corso gate.”
“Yes; let us go,” he said, and started across the vast apartment, Hera
at his side, while the candle in his shaking hand made their shadows do
a strange fandango. In their ears was the roar of human fury, sifted by
the encompassing walls into a haunting murmur. They passed the picture
of Heribert and his warriors and were at the point of setting foot in
the corridor, when they halted and looked each other in the face.
Public-domain text, read in full here on John Shaqi.
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