Italy -- History -- 20th century -- Fiction; Man-woman relationships -- Fiction; Rich people -- Fiction
So much for the main design; that was clear. But there were
indispensable details, and over these Tarsis puzzled until he opened
his other hand--the one not resting on the table--and looked at the
scrap of paper it had been clutching. It was Hera’s note crushed into
a ball. A moment he weighed the thing on his open palm and regarded it
in bitter reflection. Here lay the epitome of his fondest ambition, his
capital disappointment. It was the first and only time she had written
to him; and with the rising of this fact in his mind flashed an idea
that grew and supplied the details. He dramatised the future on a stage
set with the ruins of a cloister and an old church for the background;
it was a scene redeemed from total darkness by the glimmer of a moon
that hung far on the slope of the heavens and there was no sound save
the breathing of him who watched and waited in the shadow, with a keen
blade ready for work. The conception touched some artistic chord of
his nature, and he smiled and told himself it was good. In the old
monastery Mario Forza had contracted the debt; in the old monastery he
should pay.
He picked open the crumpled paper and spread it flat on the marble.
He smoothed out the creases as best he could, then got blank paper, a
pen, and a well of ink. It may have been for an hour that he sat there
copying again and again the few lines his wife had written. In the
first essays his eye travelled often from the copy to the pen as he
fashioned each letter after Hera’s hand observing minutely and matching
the slightest peculiarity. Patiently he went over and over the precise
curl of a y’s tail, the loop of an l, or the dot of an i. At length he
was able to write off the missive, Hera’s signature included, to his
satisfaction without once looking at the model.
His next step was to leave the library, locking the door to make sure
that no one should enter and see the table littered with the evidence
of his work; the next to go to the chamber that was Hera’s. There he
took from a desk some of the dainty paper and envelopes that bore
her monogram. A few minutes and he was back in the library making a
copy of her note on that paper. He held the finished product at arm’s
length, then at closer view, and pronounced it perfect. He was about
to carry this part of his plan to its fruition by writing a note of his
own wording in the hand of his wife when a knock stayed his purpose.
Instead of calling to the visitor to enter he rose and opened the door
a few inches, mindful of the scraps on the table. Beppe was there with
a card on his tray.
Public-domain text, read in full here on John Shaqi.
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