Italy -- History -- 20th century -- Fiction; Man-woman relationships -- Fiction; Rich people -- Fiction
“Be of good cheer,” Mario returned, and struck across the courtyard. A
moment the prior stood there, puzzled to know what the Honourable meant
to do, and striving to reconcile his own inactivity with his duty as
head of the convent. But, faithful to his promise, he returned to the
brothers’ inner sanctum to pray and commit the issue to divine care.
At the moment Mario turned the key in the postern the outer gate gave
way, and the rioters, with a yell of triumph, surged into the passage.
Between them and the _Last Supper_ stood yet the refectory’s front
door, and the sound of axes on this greeted Mario as he entered. The
place was in deep gloom, relieved only by faint gleams that stole under
the heavy curtains at the windows. To one of these he groped his way,
threw back the hanging, and let in a stream of light that fell upon the
picture but left the rest of the room in half darkness. He would have
let in more light, but there was not time. The door came down, and the
axemen, the women with torches, and all the vandal crew rushed into
the house made sacred by a painter’s art. At the head of them was Red
Errico--he who started the revolt in the Tarsis silk-mill. Before they
saw the Narazene and the Twelve they beheld Mario standing in front of
the picture--a mysterious figure at first sight, his bandaged forehead
and upraised hand thrown into weird relief by the narrow shaft of light
that played upon him from the window. It was an apparition that made
Red Errico halt and checked for the moment the rush of those at his
back.
“Mario Forza!” the leader exclaimed, and the name passed from mouth to
mouth, as those in the room moved nearer, pushed by the crowd behind.
“Long live Mario Forza!” a stout-lunged carpenter shouted. “But down
with the Supper!”
“Well spoken! On, comrades! Down with it!” a dozen of them chimed in,
and there was a general move toward the painting.
“You have right on your side!” Mario proclaimed, in a voice sounding
above the growl of the mob. “When you wish to pull down this work of
Leonardo it is your right to do so, and no one may say no. You are the
people, and the people must rule!”
“Come on, then, let us rule!” the carpenter cried, raising his axe,
ready to spring forward, but Red Errico pulled him back.
“Wait!” he commanded. “Wait until the Honourable has spoken.”
“Just a minute, men and women,” Mario went on. “Just a minute let us
look at the picture before we blot it out forever. Let us have a last
look at the face of that Blessed Workman at the middle of the table.
You all know He was a carpenter, and let me tell you that He made as
good a fight in His time to help the workingman as you are making
to-day.”
“Bravo!” the carpenter exclaimed, lowering his axe.
Public-domain text, read in full here on John Shaqi.
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