The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
As soon as ever Christianity possessed temples of her own, the
cruciform shape was, we have seen, sometimes adopted. And so, as we
all know, has it continued down to the present day. England, perhaps,
has fewer examples of cross churches than any other country: the
proportion of those which bear this shape being not so much as one in
ten. In France, on the contrary, the ratio would probably be inverted.
Into the reason of this remarkable difference we shall not now
inquire: but will merely remark, that many churches which do not, in
an exterior view, appear cruciform, are nevertheless, from their
internal arrangements, really so. The transepts do not project beyond
the aisles: but have distinct transept arches, and a window of much
larger dimensions than those in the aisles. This principally occurs in
city churches, or where the founders were confined for want of room.
And this is the case as well in churches which have aisles to the
chancel, as in Godalming, Surrey, as where the nave alone has them,
{lxxxiv} as in Holy Rood, Southampton. They will be distinguished
readily on the outside by the northern and southern gable. In some
cathedral churches, there is a double cross: in York, this perhaps
signifies the metro-political dignity of that church; in other cases,
it was probably merely a method of imparting greater dignity to the
building. Some churches--though they are not frequent--are in the form
of a Greek Cross: that is, the four arms are all of equal length.
Darlington, Durham, is an example: in this case there is a central
tower. In some, as at Westminster, Gloucester, and S. Albans, the
choir runs westward of the transept; in Seville, almost the whole of
the choir is locally in the nave; in others, as Ely, it does not
extend westward so far. These peculiarities, curious in themselves, do
not affect the symbolism: and probably no modification of meaning is
to be attached to them.
Mr. Lewis has asserted, that in early churches, a cross was marked on
the pavement, the upper part running into the chancel, the arms
extending into the transepts, and the body occupying the nave. And
some such arrangement, or rather the traces of it, we have ourselves
perhaps noticed. The reason it was given up, was probably the anathema
pronounced by the second OEcumenical Council, on those who should
tread on that holy symbol.
Thus, in the ground plan, the Cross of Christ was preached. It is
often said, that the adjacent chapels, more especially the Lady
Chapel, obscured the symbolism. But it must be remembered that a
ground plan can only be judged of in two methods: either from a height
above, for example, the tower of the church; or when marked out on
paper. It is surprising, in either of these cases, how easily the most
complex cathedral resolves itself to the spectator's eyes into a
cross.
{lxxxv}
Public-domain text, read in full here on John Shaqi.
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