The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
In the ground plan of small churches there is little which seems to
bear on this subject. The principal references to departed saints
occur in the stained glass, in the rood screen, in niches, in the
canopies of monuments, and in brasses. Monuments, in particular, often
afford some beautiful ideas, among which we may notice {lxxxix} the
angels which often are seated at the head of the effigy, supporting
the helmet or pillow, and seeming to point out the care of angels for
the saints. In cathedrals, however, the chapels have a very
considerable effect upon the ground plan: though we cannot agree with
Mr. Poole that such a modification of the principal lines of the
building for the reception of these shrines and oratories, is
necessarily uncatholic. He principally objects to the position of the
Lady Chapel at the east end, above, as he expresses it, the High
Altar. Now we believe the Lady Chapel to have occupied that place
merely on grounds of convenience: not from any design--which it is
shocking to imagine--of exalting the Blessed Virgin to any
participation in the honours of the Deity. Sometimes, as at Durham,
this chapel is at the west end: in country churches, it generally
occupied the east end of the north or south aisle: and sometimes is
placed over the chancel, as in Compton, Surrey, Compton Martin,
Somerset, and Darenth, Kent; or over the porch, as at Fordham,
Cambridgeshire. At Bristol cathedral it is on the north side of the
choir. That the position of the Lady Chapel at the east end adds
greatly to the beauty of the building wall hardly be denied on a
comparison of York, or Lincoln, or Peterborough with Lichfield, _as it
now is_.
{xc}
CHAPTER VIII
EXAMPLES OF SYMBOLISM CONTINUED
We come now, according to the plan we laid down, to speak of the
symbolism of some particular features of a church, which do not fall
so well under any of the four heads which we have been considering.
And firstly, of windows.
The primary idea shadowed forth in every one of the styles, is the
saying of our Lord to His disciples, _ye are the light of the world_.
More simply set forth at first, this notion acquired, in the course of
time, various methods of expression, and was subjected to different
modifications; but we must retain it as the ground work or we shall be
in danger of mistaking the true meaning of ancient church architects.
Public-domain text, read in full here on John Shaqi.
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