The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
Another reference to the Atonement will be found in the deviation
which the line of the chancel often presents from that of the nave. It
is sometimes to the north, but more frequently to the south.
{lxxxviii} There are many more churches in which it occurs than those
who have not examined the subject would believe: perhaps it is not too
much to say that it may be noticed in a quarter of those in England.
Of our cathedrals, it is most strongly marked in York and Lichfield:
among the parish churches in which we have observed it, none have it
so strongly as Eastbourne and Bosham, in Sussex, and S. Michael's at
Coventry: in all of which the most casual glance could not but detect
the peculiarity of appearance it occasions. This arrangement
represents the inclination of our Saviour's Head on the Cross. In
roods the Head generally inclines to the left.
Mr. Poole, after noticing the fact in York minster, seems inclined to
attribute it to a desire of evading the old foundation lines of that
church, which induced the builders to deviate a little from the
straight line, rather than encounter the difficulty of removing this
obstacle. But in the first place, however much modern church builders
might bethink themselves of such an expedient, it is not at all in the
character of the church architects of other days: and in the second,
the explanation is applicable to York alone, one only out of many
hundred churches so distinguished.
IV. The Communion of Saints
Next, we will notice the effect which the Doctrine of the Communion of
Saints has exercised in the designs of churches.
Public-domain text, read in full here on John Shaqi.
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