The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
coachmen, deposit their loads at the portico: people come, dressed out
in the full fashion of the day, to occupy their luxurious pew, to lay
their smelling-bottles and prayer-books on its desk, and reclining on
its soft cushions, to confess themselves--if they are in
time--miserable sinners: to see the poor and infirm standing in the
narrow passages, and close their pew doors against them, lest
themselves should be contaminated, or their cushions spoilt, at the
same time beseeching God to give their fellow-creatures the comfort
which they refuse to bestow: the Royal Arms occupy a conspicuous
position; for it is a chapel of the Establishment: there are neat
cast-iron pillars to hold up the galleries, and still neater pillars
in the galleries to hold up the roof; thereby typifying that the whole
existence of the building depends on the good-will of the
congregation: the roof is flat, with an elegant cornice, and serves
principally to support a gas-lighted chandelier: and the
administration of this chapel is carried on by clerk, organist,
beadle, and certain bonnetless pew-openers.
{cxxx}
We need not point out how strongly all this symbolises the spiritual
pride, the luxury, the self-sufficiency, the bigotry of the
congregations of too many a pew-rented Episcopal chapel.
In contrast to this, let us close with a general view of the symbolism
of a Catholic church.
Far away, and long ere we catch our first view of the city itself, the
three spires of its cathedral, rising high above its din and turmoil,
preach to us of the Most Holy and Undivided Trinity. As we approach,
the transepts, striking out cross-wise, tell of the Atonement: the
Communion of Saints is set forth by the chapels clustering round choir
and nave: the mystical weathercock bids us to watch and pray and
endure hardness: the hideous forms that seem hurrying from the eaves
speak the misery of those who are cast out of the Church: spire,
pinnacle, and finial, the upward curl of the sculptured foliage, the
upward spring of the flying buttress, the sharp rise of the window
arch, the high-thrown pitch of the roof, all these, overpowering the
horizontal tendency of string course and parapet, teach us, that
vanquishing earthly desires, we also should ascend in heart and mind.
Lessons of holy wisdom are written in the delicate tracery of the
windows: the unity of many members is shadowed forth by the multiplex
arcade: the duty of letting our light shine before men, by the pierced
and flowered parapet that crowns the whole.
Public-domain text, read in full here on John Shaqi.
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