The symbolism of Freemasonry : $b Illustrating and explaining its science and philosophy, its legends, myths and symbolsMackey, Albert Gallatin
Religion
The symbolism of Freemasonry : $b Illustrating and explaining its science and philosophy, its legends, myths and symbols
Mackey, Albert Gallatin
Freemasonry -- Symbolism
All the monuments of antiquity that the ravages of time have left, combine
to prove that man had no sooner emerged from the savage into the social
state, than he commenced the organization of religious mysteries, and the
separation, by a sort of divine instinct, of the sacred from the profane.
Then came the invention of architecture as a means of providing convenient
dwellings and necessary shelter from the inclemencies and vicissitudes of
the seasons, with all the mechanical arts connected with it; and lastly,
geometry, as a necessary science to enable the cultivators of land to
measure and designate the limits of their possessions. All these are
claimed as peculiar characteristics of Speculative Masonry, which may be
considered as the type of civilization, the former bearing the same
relation to the profane world as the latter does to the savage state.
Hence we at once see the fitness of the symbolism which commences the
aspirant's upward progress in the cultivation of knowledge and the search
after truth, by recalling to his mind the condition of civilization and
the social union of mankind as necessary preparations for the attainment
of these objects. In the allusions to the officers of a lodge, and the
degrees of Masonry as explanatory of the organization of our own society,
we clothe in our symbolic language the history of the organization of
society.
Advancing in his progress, the candidate is invited to contemplate another
series of instructions. The human senses, as the appropriate channels
through which we receive all our ideas of perception, and which,
therefore, constitute the most important sources of our knowledge, are
here referred to as a symbol of intellectual cultivation. Architecture, as
the most important of the arts which conduce to the comfort of mankind, is
also alluded to here, not simply because it is so closely connected with
the operative institution of Masonry, but also as the type of all the
other useful arts. In his second pause, in the ascent of the Winding
Stairs, the aspirant is therefore reminded of the necessity of cultivating
practical knowledge.
So far, then, the instructions he has received relate to his own condition
in society as a member of the great social compact, and to his means of
becoming, by a knowledge of the arts of practical life, a necessary and
useful member of that society.
But his motto will be, "Excelsior." Still must he go onward and forward.
The stair is still before him; its summit is not yet reached, and still
further treasures of wisdom are to be sought for, or the reward will not
be gained, nor the _middle chamber_, the abiding place of truth, be
reached.
Public-domain text, read in full here on John Shaqi.
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