The Symbolist Movement in LiteratureSymons, Arthur
History
The Symbolist Movement in Literature
Symons, Arthur
French literature -- 19th century -- History and criticism; Symbolism (Literary movement) -- France
Loving most those writers "whose works are nearest to silence,"
he begins his book, significantly, with an essay on Silence, an
essay which, like all these essays, has the reserve, the expressive
reticence, of those "active silences" of which he succeeds in revealing
a few of the secrets. "Souls," he tells us, "are weighed in silence,
as gold and silver are weighed in pure water, and the words which we
pronounce have no meaning except through the silence in which they are
bathed. We seek to know that we may learn not to know"; knowledge, that
which can be known by the pure reason, metaphysics, "indispensable"
on this side of the "frontiers," being after all precisely what is
least essential to us, since least essentially ourselves. "We possess
a self more profound and more boundless than the self of the passions
or of pure reason.... There comes a moment when the phenomena of our
customary consciousness, what we may call the consciousness of the
passions or of our normal relationships, no longer mean anything to
us, no longer touch our real life. I admit that this consciousness is
often interesting in its way, and that it is often necessary to know
it thoroughly. But it is a surface plant, and its roots fear the great
central fire of our being. I may commit a crime without the least
breath stirring the tiniest flame of this fire; and, on the other hand,
the crossing of a single glance, a thought which never comes into
being, a minute which passes without the utterance of a word, may rouse
it into terrible agitations in the depths of its retreat, and cause
it to overflow upon my life. Our soul does not judge as we judge; it
is a capricious and hidden thing. It can be reached by a breath and
unconscious of a tempest. Let us find out what reaches it; everything
is there, for it is there that we ourselves are."
Public-domain text, read in full here on John Shaqi.
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