_THE GRAPHIC._—‘His absorbingly interesting story will be found very difficult indeed to lay down until its last page has been turned.’ =WITH EDGED TOOLS.= Crown 8vo. 6_s._; and fcp. 8vo. boards, Pictorial Cover, 2_s._; or, limp red cloth, 2_s._ 6_d._ _THE WESTMINSTER GAZETTE._—‘Admirably conceived as a whole, and, most skilful in its details. The story never flags or loiters.’ =FROM ONE GENERATION TO ANOTHER.= Crown 8vo. 6_s._; and fcp. 8vo. boards, Pictorial Cover, 2_s._; or, limp red cloth, 2_s._ 6_d._ _THE ILLUSTRATED LONDON NEWS._—‘The book is a good book. The characters of Michael Seymour and of James Agar are admirably contrasted.... There is a very fair allowance of wrong-doing in the novel; but, on the other hand—which is quite unusual in a story nowadays—things all come right at last.’ =THE SLAVE OF THE LAMP.= Crown 8vo. 6_s._; and fcp. 8vo. boards, Pictorial Cover. 2_s._; or, limp red cloth, 2_s._ 6_d._ _THE MANCHESTER GUARDIAN._—‘A masterly story ... so like real life, and so entirely unconventional.’ =THE GREY LADY.= Square 16mo. 4_s._; or, with 12 Full-page Illustrations by ARTHUR RACKHAM, crown 8vo. 6_s._ _THE BRITISH WEEKLY._—‘An interesting, thoughtful, carefully-written story, with a charming touch of pensiveness.’ London: SMITH, ELDER, & CO., 15 Waterloo Place, S. W.