Did he not find it in that eagerness of spirit which had sent him, in
obedience to Salvation Yeo’s pointing finger, away from the dour and
narrow father and the first taste of the Tyneside works, penniless, over
the wild North Sea to Archangel, town of fairy wonders, and thence, so
as not to be caught on the ship again and taken back to Newcastle, to
wanderings he scarce knew whither? Did he not find it in the strange
lure of Russia which impelled him, when, after a few voyages, he landed
in the port of London, to procure a passport which would make him free
for the land of his fascination? Did he not find it in the
resourcefulness of brain which, the mariner’s life forsaken, first
secured him employment in the English racing establishment of a Russian
Prince, and then interested recognition by the Princess herself, so
that, after a strenuous while he found himself no longer as an
inconsiderable stable hand, but as a human being who counted in the
world? Did he not find it in his fond ambitions, when the Princess at
his request transferred him from stables to garage, from garage to
motor-works for higher training; when he set himself to learn Russian as
no Englishman should ever have learned it; when afterwards he steeped
his mind in Russian poetry and folk-lore, sleeping four or five hours a
night, compelled by dreams of greatness in which there figured as his
bride of the golden future the little Princess Tania, whose
governess-taught English was as pure as the church bells on a frosty
night? Did he not find it in those qualities of practical command of
circumstance and of poetic vision which had raised him in a few years
from the ragged, semi-ignorant, sea-faring English lout alone in Russia
to the trusted chief of a Prince’s fleet of a dozen cars, to the
courier-chauffeur, with all the roads and ways and customs and languages
of Russia, from Riga to Tobolsk, and from Tobolsk to Tiflis, and from
Tiflis to St. Petersburg, at his finger tips; to the Master of Russian
Literature, already something of a published poet, admitted into
intellectual companionship by the Prince and thereby given undreamed of
leisure for further intellectual development? What were those qualities
but the qualities of genius differentiating him from the ordinary run of
men and absolving him from such judgments as might be passed upon the
errant of them? Without this absolving genius could he have marched in
and taken his place in the modern world of English letters?
Public-domain text, read in full here on John Shaqi.
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