Now and then the four came together; a picnic lunch at some spot across
the bay; a wet after-dinner rubber at bridge, or an hour’s gossip of old
forgotten far-off things and battles of the day before yesterday, or—in
the General’s house—a little idle music. There it was that Olivia
discovered another accomplishment in her wonderful husband. He could
play, sensitively, by ear—knowledge of notated music he disclaimed.
Having been impressed as a child with the idea that playing from ear was
a sin against the holy spirit of musical instruction, and gaining from
such instruction (at Landsdowne House—how different if she had been
trained in the higher spheres of Blair Park!) merely a distaste for
mechanical fingering of printed notes, she had given up music with a
sigh of relief, mingled with regret, and had remained unmusical. And
here was Alexis, who boasted his ignorance of the difference between a
crotchet and an arpeggio, racking the air with the poignant melancholy
of Russian folk-songs, and, in a Puckish twinkle, setting their pulses
dancing with a mad modern rhythm of African savagery.
“But, dear, what else can you do?” she asked, after the first exhibition
of this unsuspected gift. “Tell me; for these shocks aren’t good for my
health.”
“On the mouth-organ,” he laughed, “I’ve not met any one to touch me.”
It was not idle boasting. On their next rainy-day visit to the
neighbouring town, Olivia slipped into a toy shop and bought the most
swollenly splendid of these instruments that she could find, and Alexis
played “The Marseillaise” upon it with all the blare of a steam
orchestrion.
The happy days sped by in an atmosphere of love and laughter, yet filled
not only with the sweet doings of idleness. Olivia discovered that the
poet-artist must work, impelled thereto by his poet-artistry. He must
write of the passing things which touched his imagination and which his
imagination, in turn, transmuted into impressions of beauty. These were
like a painter’s sketches, said he, for use in after-time.
“It’s for you, my dear, that I am making a hoard of our golden moments,
so that one of these days I may lay them all at your feet.”
Public-domain text, read in full here on John Shaqi.
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