“Before you stole over my being and metamorphosed me, I should have
asked—why?” he said. “Any old dry hole in a tree would have done for
me, until I got tired of it and flew to another. But now——”
“Now you’re dying to live in a nice little house and have your meals
regular and pay rates and taxes, and make me a respectable woman.”
They decided that a house was essential. It would have to be furnished.
But what was the object of buying new furniture at the present fantastic
prices when she had a great house full of it—from real Chippendale
chairs to sound fish-kettles? The answer was obvious.
“Why not Medlow? Olifant won’t stay there for ever. He hinted as much.”
She shook her head. No. Medlow was excellent for cabbages, but
passion-flowers like her Alexis would wilt and die. He besought her with
laughing tenderness not to think of him. From her would he drink in far
more sunlight and warmth than his passion-flower-like nature could need.
Had she not often told him of her love for the quaint old house and its
sacred associations? It would be a joy to him to see her link up the old
life with the new.
“Besides,” he urged, attributing her reluctance to solicitude for his
happiness, “it’s the common-sense solution. There’s our natural
headquarters. We needn’t stay there all the year round, from year’s end
to year’s end. When we want to throw a leg we can run away, to London,
Paris, “Quien Sabe,” John o’ Groats—the wide world’s before us.”
But Olivia kept on shaking her head. Abandoning metaphor, she insisted
on the necessity of his taking the position he had gained in the social
world of art and letters. Hadn’t he declared a day or two ago that good
talk was one of the most stimulating pleasures in life? What kind of
talk could Medlow provide? It was far more sensible, when Major
Olifant’s tenancy was over, to move the furniture to their new
habitation and let “The Towers” unfurnished.
Public-domain text, read in full here on John Shaqi.
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