Behind the curtain opinion was almost as much divided as before it.
Kemble was in his grimmest humour; disinclined, as many said, both then
and afterwards, to give his Vortigern fair play. Some of the inferior
actors, taking their tune from him, certainly abstained from exerting
themselves, and even made no secret beforehand of their design to
abstain. It was a play cumbrous in construction, and even in the very
names of the dramatis personæ, such as Wortimerus and Catagrinus; but
it had been accepted by the management, and the company, as it was
afterwards urged, and with justice, should have done their best for
it. Mrs. Powell and Mrs. Jordan vied with one another in encouraging
William Henry, who remained all the evening behind the scenes. The
former made a magnificent Edmunda; the latter, of whom the greatest
of our dramatic critics writes, ‘Delightful Mrs. Jordan, whose voice
did away with the cares of the whole house before they saw her come
in,’ surpassed herself. If beauty and vivacity could have saved the
piece she would have saved it, single-handed. There was a great deal
of opposition, but at first the play went fairly well. The swell and
roll of its sonorous lines hid their lack of ideas, and in a fashion
supported themselves unaided.
‘We are safe now, the “Vortigern“ will succeed, Henry,’ said Mrs.
Jordan cheerfully, as she left the stage at the close of the second act.
William Henry did not answer; his face, pale and haggard as it had been
throughout the evening, had suddenly assumed a look of horror.
‘What is the matter with you, lad?’ exclaimed Mrs. Powell. ‘You would
make a good actor, but a very bad author; you could not look more
desponding if the play was your own. It is going all right; you must
not mind a hiss or two.’
‘I fear him,’ whispered William Henry, hoarsely. ‘That is his hateful
voice; it is all over.’
The two ladies looked at one another significantly; they had seen young
fathers of promising plays on first nights before, but here was a mere
godfather worse than any of them. They thought that the young fellow
had taken leave of his wits.
‘I tell you it is all over,’ continued the wretched youth; ‘he has come
here to damn me.’
‘If you mean the Devil, that is nothing new,’ said Mrs. Powell; ‘he is
always, so we are told, in the play-house.’
She spoke very sharply; she thought it the right remedy to apply under
the circumstances, just as she might have recommended bending back the
fingers in an extreme case of hysterics.
‘Come here,’ said Mrs. Jordan, leading the young man to a spot where,
through a chink in the curtain, they could get a view of the box where
his father and cousin sat. ‘Look at your Margaret yonder; she is not a
coward like you.’ Indeed, the more the people hissed, the calmer and
the more indifferent Margaret seemed to be, though under that unmoved
exterior she suffered agonies. She was thinking of her Willie, though
she could not see him, and love enhanced her beauty.
Public-domain text, read in full here on John Shaqi.
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