But Margaret was not thinking of Malone, nor even of the play,
concerning which, though she heard them not, there were reports,
besides its failure, of misadventure and even death. She was thinking
of Willie, and why he did not come home to be comforted. The two sat
down alone to supper, of which neither could touch a mouthful; the
antiquary full of woeful thoughts, the girl with only one question in
her mind, ‘Why does he not come?’
The maid thought she had seen him at the door when her mistress got
out of the carriage; there was certainly some young man with his hat
pulled over his eyes, who had watched her into the house, and having,
as it seemed, assured himself of her safety, had walked away. It was
possible of course that this might have been Willie, but whither had he
gone?
‘It is no use your waiting for William Henry,’ said the antiquary
roughly; ‘why don’t you eat?’
She noticed that her uncle no longer spoke of ‘Samuel,’ and the change
jarred upon her feelings, already strained and tried. It was no fault
of Willie’s that the play had not succeeded, and it was cruel to visit
such a misfortune upon his innocent head.
‘It is only natural that I should be anxious about him,’ she returned
with some touch of resentment.
‘Pooh, pooh! why should you be anxious? He is no doubt supping with one
of the players.’
His indifferent words struck her like a blow at random. Was it
conceivable, after what had happened that evening, that Willie should
prefer the society of another to her own? Above all, was it possible
that that one should be Mrs. Jordan? She could not but notice how
Flavia had fought for the play, and had hardly known whether to admire
or detest her for it. If she had been in her place, and could have
done it, she would have fought for it too, but then she would have an
adequate motive. Why should that woman have dared so much for it when
the others had performed their parts in so sluggish and perfunctory
a manner? It must have been because she had her heart in it. And who
could have their heart in a mere stage-play, a thing at the best full
of fictitious woes and imaginary heroes? There must have been human
love—or what such creatures took for love—to have enlisted her in its
cause. Oh, why did not Willie come?
As the night wore on apprehensions for her lover’s personal safety
took the place of these jealous fears. What might not despair and
disappointment have induced him to do? In her wretchedness and need of
sympathy and consolation, she ventured to hint at this to Mr. Erin.
‘It is surely very odd, uncle. Willie ought to be home by this time at
all events. Should we not send somewhere?’
‘What nonsense! Whither should we send, and why? The lad is old enough
to take care of himself.’
‘But perhaps in his dejection and—and—misery, uncle, he might not
have any care of himself.’
Public-domain text, read in full here on John Shaqi.
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