English fiction -- 19th century; Short stories, English
I heard a click, and, to my unspeakable horror, saw that he was
deliberately covering me from behind the camera with a revolver--_that_
was what I had seen bulging inside his pocket.
'I should be sorry to slay any sitter in cold blood,' he said, 'but I
must tell you solemnly, that unless you instantly resume your original
pose--which was charming--you are a dead man!'
Not till then did I realise the awful truth--I was locked up alone, at
the top of a house, in a quiet neighbourhood, with a mad photographer!
Summoning to my aid all my presence of mind, I resumed the original pose
for the space of forty-five hours--they were seconds really, but they
_seemed_ hours; it was not needful for him to exhort me to be limp
again--I was limper than the dampest towel!
'Thank you very much,' he said gravely as he covered the lens; 'I think
that will come out very well indeed. You may move now.'
I rose, puffing, but perfectly collected. 'Ha-ha,' I laughed in a sickly
manner (for I _felt_ sick), 'I--I perceive, sir, that you are a
humorist.'
'Since I have abandoned poetry,' he said as he carefully removed the
negative to a dark place, 'I have developed a considerable sense of
quiet humour. You will find a large Gainsborough hat in that
corner--might I trouble you to put it on for the next sitting?'
'Never!' I cried, thoroughly revolted. 'Surely, with your rare artistic
perception, you must be aware that such a headdress as that (which is no
longer worn even by females) is out of all keeping with my physiognomy.
I will _not_ sit for my photograph in such a preposterous thing!'
'I shall count ten very slowly,' he replied pensively, 'and if by the
time I have finished you are not seated on the back of that chair, your
feet crossed so as to overlap, your right thumb in the corner of your
mouth, a pleasant smile on your countenance, _and_ the Gainsborough hat
on your head, you will need no more hats on this sorrowful earth.
One--two----'
I was perched on that chair in the prescribed attitude long before he
had got to seven! How can I describe what it cost me to smile, as I sat
there under the dry blue light, the perspiration rolling in beads down
my cheeks, exposed to the gleaming muzzle of the revolver, and the
steady Gorgon glare of that infernal camera?
'That will be extremely popular,' he said, lowering the weapon as he
concluded. 'Your smile, perhaps, was a _little_ too broad, but the pose
was very fresh and unstudied.'
I have always read of the controlling power of the human eye upon wild
beasts and dangerous maniacs, and I fixed mine firmly upon him now as I
said sternly, 'Let me out at once--I wish to go.'
Perhaps I did not fix them quite long enough; perhaps the power of the
human eye has been exaggerated: I only know that for all the effect mine
had on him they might have been oysters.
'Not yet,' he said persuasively, 'not when we're getting on so nicely. I
may never be able to take you under such favourable conditions again.'
Public-domain text, read in full here on John Shaqi.
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