The Tallants of Barton, vol. 1 (of 3) : $b A tale of fortune and financeHatton, Joseph
General
The Tallants of Barton, vol. 1 (of 3) : $b A tale of fortune and finance
Hatton, Joseph
English fiction -- 19th century
This Club of which we speak was the Cavendish,--a Club frequented by
artists, actors, writers for magazines, and newspaper critics,--and
in the evening, Mr. Williamson, one of its most lovable members,
introduced his _protégé_ Paul.
It represented quite a new world to the bailiff’s son,--and a world
which was highly attractive. A new drama had been produced on this
evening, and soon after eleven o’clock quite a small crowd of fellows
came in to eat chops, drink grog, and discuss the new play. Some of
them shook hands with Williamson, called him “dear boy,” and asked
what new bit of philanthropy he had in hand. He introduced Paul to one
gentleman as his _amicus curiæ_, his _camarade_, his _fidus Achates_,
and said he wished to recommend Paul to him for a clerkship in his
office.
“I know you have a vacancy, because I inquired yesterday. Read the
papers to-morrow about a case at Bow Street--the one in which I was
engaged,--they were talking about it here, you know, last night,--don’t
ask any questions, but wait until I call upon you to-morrow.”
“All right, old fellow,” said the gentleman; and when he had joined
a companion at the furthest end of the room, Mr. Williamson said,
“That gentleman is the proprietor of _The Pyrotechnic_, a musical,
theatrical, and literary paper of which, _entre nous_, I am the editor.”
Paul during the whole night acted upon the nursery proverb--listened
and said nothing. He heard all sorts of wonderful things about
dramatic art and literary criticism, and Mr. Williamson pointed out
to him the most notable personages present. One of the quietest and
“meekest-minded” fellows there was the leading low comedian of a
famous theatre; and the noisiest and funniest dog of the lot was the
gentleman who played high tragic characters at the same house. The most
“disputatious person” was a musician who talked of German operas and
the unities of the classic drama. A gentleman who was renowned as a wit
spoke of the gorgeous poetic beauty of the Psalms; and a preacher who
contributed leading articles to a popular religious paper got a little
applause and some quiet expressions of irony by designating himself “a
professor of Hebrew mythology.”
Public-domain text, read in full here on John Shaqi.
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