The Tallants of Barton, vol. 3 (of 3) : $b A tale of fortune and financeHatton, Joseph
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The Tallants of Barton, vol. 3 (of 3) : $b A tale of fortune and finance
Hatton, Joseph
English fiction -- 19th century
Our chief aim has been to take you into our confidence, to make you
our friend, to let you know, without circumlocution, as much about
the people whose lives we are sketching as we knew at starting. You
may have been a little surprised, perhaps, and slightly confused at
that incident of the two girls at Barton Hall; but otherwise we have
not laboured to hide our knowledge for a time, that we might surprise
you further on. This may be a fault (one of many faults) in our
narration of the history of these actors in the romance of the Tallants
of Barton. If it be so, we hope that the motive which lies at the
foundation of it may in some wise be considered a laudable one.
Although we shall not surprise you like the dramatists with these
closing scenes, we have brought our chief characters together for the
finish. If you do not see them all before the foot-lights, you will
hear of them. We cannot let down the drop-scene amidst a crash of music
and blue fire; but we promise you there shall be real water in these
closing scenes, real trees and meadows, real halls and castles, real
streets, and above all, real people.
If we succeed in impressing you with this fact, we shall gladly
dispense with the blue fire and the orchestral accompaniments. Our fire
shall be the glorious sun; our music the roar of the great city, and
the murmur of the wind in the Severnshire valley.
Nearly a year has elapsed since the Brazencrook bells proclaimed the
Countess of Verner a mother; two years have gone by since Lionel
Hammerton sailed for India; and once more it is summer-time o’er all
the land,--hot, glowing, glorious summer,--and we propose to let down
the drop-scene amidst the refulgent splendours of the time.
Shining with the same genial warmth upon all men and things, Great Sol
is your only constitutional monarch. Yon magnificent sun,--nothing
influences his benign influence. The courtier wins no smile from him
that the beggar may not have. None enjoy a monopoly of his favour. He
rules over all with an equal sway. Eloquence, money, claims of long
descent, deeds of arms, gorgeous array, elicit no extra honours at his
court. See how benignantly he looks down upon yon little cottage. See
how his beams light up those lichen-covered bricks, and tremble upon
those little square panes of glass. See how yon beggar lies in the
royal presence, basking in the genial warmth. That fine mansion close
by has no grander lights upon it; that proud lord in his carriage gets
no more sunshine than the beggar.
O glorious freedom of nature! Why do we not learn the lessons thou
teachest? Why does that proud woman take up her dress lest her ragged
sister should contaminate her, when yon glorious sun takes both in his
radiant arms in acknowledged equality? Look at those streams of sunny
light that fall upon the gorgeous equipages in Hyde Park; they do not
disdain those ragged children on the footpath.
Public-domain text, read in full here on John Shaqi.
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