Great Britain -- History -- Mary I, 1553-1558 -- Fiction; Historical fiction
But it was the very magnitude of the insult which restored to Ursula her
self-possession, nor would she let him see now how deeply she was
wounded. With her self-control, her dignity also returned to her, and
she said with a coldness at least equal to his own--
"The world has naught to forgive me, as you know best, my lord."
"Nay! but I know that I must be grateful. By the mass! the story was
well concocted, and I must congratulate you, fair Bacchante!" He laughed
bitterly, ironically. "Your honour threatened! . . . my timely
interference! . . . and I who feared for the moment you might make full
confession."
"Confession of what? . . . you are mad, my lord."
She had drawn nearer to him, and for the first time since the
commencement of this terrible tragedy of errors, one corner of that veil
of impenetrable mystery was lifted from before her eyes. She did not
make even a remote guess at the truth as yet, but vaguely she became
aware that she and this man whom she loved were at some deadly
cross-purposes, were playing at some horrible hide-and-seek, wherein
they were staking their life and happiness. There was something in his
look which suddenly revealed to that unerring feminine instinct in her
that his bitterness, his cruelty, his insults, had their rise in a heart
overburdened with a hopeless passion. He, the most perfect gentleman,
most elegant courtier of his time, did not even try to curb his tongue,
when speaking to her, who had never wronged him, and who had nobly saved
his life, when he must _know_ that she had done it out of disinterested
self-sacrifice.
_Did he know that?_
The question struck at her heart with sudden, overwhelming power. The
look of him, his whole attitude, told her in a vague, undefinable,
ununderstandable way that it was _herself_ whom he loved, that he
despised her for something she had not done, and yet that he spoke of
_her_ when he sighed after an illusion.
"Confession of what? You are mad, my lord!" she repeated wildly.
"Aye! mad!" he said bitterly, "mad when I feel the magic of your eyes
stealing my honour away! . . . mad, indeed! for with a fellow-creature's
blood still warm upon that dainty hand, I long to fall on my knees and
cover it with kisses."
His voice broke almost in a sob now that at last he had given utterance
to that which had weighed on his soul all these days. He loathed her
crime, yet loved her more passionately than before. Oh! eternal mystery
of the heart of man!
"Blood on my hands?" she retorted violently. "You are mad, my lord . . .
mad, I say! A man's blood? . . . Did you not then kill Don Miguel to
save her whom you loved? . . . did you not suffer disgrace, prepare for
death, all because of her? . . . Did I not lie for you, give up mine
honour . . . mine all for you? . . . Is it I who am mad, my lord, or
you?"
Public-domain text, read in full here on John Shaqi.
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