Sir Francis Crane died in 1636, and Captain Richard Crane succeeded him. And then began the decline of a factory which should have lived to save us deep regret. This second Crane could not carry on the work, and besought the king to relieve him by taking over the factory, which was thenceforth known as King's Works. But civil wars came on in 1642 and other matters were more urgent than the production of works of art. So evil days fell upon the weavers. Then came the black day when Charles was beheaded. The Commonwealth, to do it justice, tried to keep alive the industry. They put at its head a nobleman, Sir Gilbert Pickering, and, to inspire the workers, brought a new model for design. They went to Hampton Court and took from there _The Triumph of Caesar_, by Mantegna, to serve as new models. Some hope, too, lay in the weavers of the hour, clever Hollanders taken prisoners in the war; and all this while Cleyn directed. But there were too many circumstances in the way, too many hard knocks of fate. People were too poor to buy good tapestries, and loose-woven, cheaper ones were heavily imported--to the amount of $500,000 yearly--from France and the Low Countries. Anti-Catholic feeling displayed hatred toward the able Catholic weavers, who were forced out of the country by proclamation. The sad end of this story is that in 1702 a petition was placed before the king asking permission to discontinue the Mortlake works. It was granted in 1703, and thus ended the English royal venture in England. CHAPTER XVIII IDENTIFICATIONS Identifying tapestries is like playing a game, like the solving of a piquant problem, like pursuing the elusive snark. I know of no keener pleasure than that of standing before a tapestry for the first time and giving its name and history from one's own knowledge, and not from a museum catalogue or a friend's recital. The latter sources of information may be faulty, but your own you can trust, for by delightful association with tapestries and their literature you have become expert. The catalogue is to be read, the friend is to be heard, in all humility, because these supply points that one may not know; but, who shall not say that an intensely human gratification is experienced when the owner of a tapestry with the Brussels mark tells you that it is a Gobelins, or one with the _History of Alexander_ tells you it is the only set of that series ever woven, and you know better.