The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
It may be this. Some one asked the giraffe why his neck was long.
He replied: Because the distance from head to body is great. I read
because the distance from birth to death is great. Some way, it has
to be filled in.
I wish now I knew those beautifully written tongues of the Orient,
which scribes of old traced upon vellum, ribbon-books of Persia, the
things hidden in alphabets which are lovely to the eye. I have seen
pictures of Persian calligraphers as enchanting as paintings. Hand
writing, as art, is dead. It belongs to the past. Perhaps sometime
printed books will be just as dead, and replaced by something else,
some diminutive form of moving-picture, some mechanical device
attached to the head which will tell stories aloud for the ear, in
the manner of a graphophone, and reflect them in pictures upon a
paper fan. When we fly around the world in twenty-four hours, we can
not waste time in anything so slow, old-fashioned, as reading. Taste
will be perverted until something new is made. Something new will
always be made. The possibilities of science are like time, endless.
Perhaps nothing lovelier will be made for an older generation. But
something new is sure to be. In twenty years there will be few book
shops.
Talking about stylists, there are none that surpass the scientists.
They have accuracy. They have economical fitting of word to thought,
leaving no surplussage, shortage. I read them partly for this.
Changes are near. We are poised on edge of the old. It will not be
long before man will live centuries, instead of a few paltry years.
Then his brain will change more. It will make discards for the long
game ahead. In the length of time I have lived, I can see the human
skull is different. Its tendency is to grow higher above the ears,
broader in front, shorter in length toward the rear. One of the
things being discarded is _fear_.
Sympathy, many old exquisitenesses, went long ago. Fear would be
bad baggage to carry in the prodigious transportation feats of the
future, when man sets out to make week-end visits to the stars,
look in upon Mars, shake hands with Madam Venus. Imagination, of
the artistic kind, a kind of bastard first cousin of fear, will be
eliminated. Imagination is practically gone now. Fact will so surpass
it, it will be useless. It will be a kindergarten pupil in the school
of kings.
Public-domain text, read in full here on John Shaqi.
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