The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
Sometimes when I read D’Annunzio I feel that he has moulded
sentences, phrases, upon the proud painted canvasses of the past of
his native land. His prose approaches the sumptuous completeness of
Veronese. His old gardens of Rome have the poignancy of personal
regret. Listen to this: “Even the garden was dull and sleep held.
It was imbued with silence as rich as honey, as thick and heavy as
wax, as precious gums. There was abandon and sadness, which exhausted
themselves in belated perfume ... from here one could glimpse a
pallid swamp with too tall lilies; yellow, heavy with pollen.”
Once when D’Annunzio was ill with fever he dreamed nightly of the
rich gardens of Rome, with their fountains.
Of the kind of writing D’Annunzio does, there is not another example
in the world today. I fancy there will not be another, until the age
of mechanism, scientific mind, reaches its height, and passes. All
things perish after they flower, even the ages.
Henry Bordeaux once exclaimed: “Here I am in Rome again after
seventeen years!” Then he recalls his youth: _O those morning walks
in the perfumed gardens on the Pincian!_ (Rodriguez, the South
American novelist, says in _Idolos Rotos_: “I can not forget the
tardy twilights on the Pincian!”) Bordeaux remarks as an aside, that
even humble people, in Rome, have the gift of eloquence.
_Italy!_ Enchanting land, which still holds the heart of the world,
and all its youth!
A soundly made novel that deserves consideration from thinkers, is
_Idolos Rotos_ (Broken Idols), by Manuel Diaz Rodriguez, published
long ago in Venezuela. It is powerful in sense of sociological,
economical, and political forces. It is a possessive reproduction
of locality. I do not know of any other one book in which an idle
reader can learn to understand so well, the differing values, the
changing present condition of a great race, suddenly thrust into new
material backgrounds, undergoing the too rapid physiological pressure
of an untried climate. The book has mental detachment. It has balance
of ideas. It has calm, unprejudiced observation. It is brilliant,
subtle, and penetrating. And it has fine sincerity. The writer
carries forward fearlessly the logic of a visioned idea. The prose is
always good and sometimes great.
Few have been able to look upon the civilizations that grew up with
mushroom swiftness in the new lands of the West, the Americas, with
clearer eyes. We meet here the mind of South American youth. And the
book has stable novel architecture.
“_Victimas de un sistema_.... Victims of an educational system
which is wholly speed and with which they pretend to ripen brains
and polish intelligence, just as heavy machinery is moved about by
electricity or steam ... harmonious development is impossible,”
writes Rodriguez.
It is a story of a wealthy young South American, educated for years
in Europe, who comes home and tries to take up again the life he knew
in childhood.
Public-domain text, read in full here on John Shaqi.
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