The taste of honey : $b The note book of a linguistUnderwood, Edna Worthley
History
The taste of honey : $b The note book of a linguist
Underwood, Edna Worthley
Literature -- History and criticism
Of his family life we know one fact, that on December 23, 1362, he
lost a grown son. For this we have his words. He wrote a poem about
it. The story is current that in his old age Timur the Conqueror came
to Shiraz and destroyed the dynasty of the Muzaffer, then angrily
summoned Hafiz: “With my sword have I conquered the greater part
of the earth, put the inhabitants of cities, entire provinces to
death, in order that my two cities Bokhara and Samarcand might be
more splendid. Now how dare you say you would give them both for
the mole upon your sweetheart’s cheek!” Hafiz bent to the ground in
salutation, replying: “_Oh Lord of the World! It is because of such
generosity that you see me poor, my robe full of holes._”
Timur was so delighted with the witty answer he not only forgave him,
but sent him away with a gift.
The songs of Hafiz are illustrative of the fact that whatever comes
from the heart has independent life, regardless of friend or foe.
He did not collect his poems. He seems to have given no thought to
their preservation. He made them for joy of the making. He gave
them carelessly to his disciples, friends. Shortly after his death
Muhammed Sulandem, a friend, gathered seven hundred verses which he
named _The Divan_. But without this friendly intervention they would
have lived. They had become property of the people of Persia. They
were preserved by word of mouth. They were on all tongues. They could
have been suppressed no more than the wind which bloweth where it
listeth. Like the wind they, too, were a natural force and would have
their way.
He is the most widely read poet of the world. Hafiz is the favorite
of the Mohammedan Orient. He found the heart of the people. And he
kept it. He is sung by the tiller of the field, camel driver of the
desert, the boatmen upon the Red Sea. When the religious zealots
found it was impossible to suppress his poems, they set about making
them innocuous. They said they were allegories; that the writer
was a master of _double entendre_, that he wrote one thing and
meant another. With this object in view they called him _the mystic
tongue_, and the _translator of the unseen_. Indeed an attempt was
made in Turkey to suppress _The Divan_, in Constantinople, under
pretext of heresy. The Mufti Abu Su’ud rescued it by saying that when
it was read one should keep the good and throw away the evil. It was
a Turk who, in the sixteenth century, wrote the first intelligent
commentary, showing people its true, long forgotten meaning.
Public-domain text, read in full here on John Shaqi.
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