The Taylor-Trotwood Magazine, Vol. IV, No. 5, February 1907Various
History
The Taylor-Trotwood Magazine, Vol. IV, No. 5, February 1907
Various
American literature -- 20th century -- Periodicals; Southern States -- Periodicals
This treason right at the future Senator’s very front door is
hard for outsiders to understand. It is very much to be feared
that the _American_ has failed to measure fully up to the
opportunities offered for intimate personal relations with the
foremost fiddler of the age. Perhaps the _American_ never heard
a whippoorwill singing in December, but that does not prove
that “Bob” Taylor hasn’t. Where “Bob” Taylor is, there, also,
are the whippoorwills, the mockingbirds, the catbirds, and all
the sweet and soulful singers known to Dixieland. It matters
not the season, nor the hour, we take it. Song birds hover ever
in his wake, and music hangs upon the lightest trembling of his
bow. Flowers have their hours to fade, and the sun has its time
to set, but for “Bob” Taylor’s fiddle, all hours and times are
the same.
But even were it possible to believe that whippoorwills came
not to the melodious pleadings of his bow, as a matter of
cold and prosaic fact, nevertheless, by reason of the license
granted all poets, this music master of the hills and dales of
Tennessee would still have the right to claim their presence.
Why should the _American_ be captious about a little thing like
that; especially when the sentimental nature of the state’s
favorite son is so inevitably interwoven with the warp and woof
of the argument? A prophet may be without honor save in his own
country, but a fiddler of “Bob” Taylor’s fame deserves loyalty
and cordial praise from all.
Let the _American_ cease from troubling, and concede that the
Senator-to-be has “rings on his fingers and bells on his toes,
and that he shall have music wherever he goes!”
It must be remembered, at the very outset of this discussion, that the
incident happened in the days of my callow youth, when all sorts of
melodies and things were buzzing in my head, and life itself was one
sweet song of tuneful melody; that I was in love and had a fiddle under
my arm, alone in a moonlit mountain cove on my way to a dance, with a
heart throbbing in happy expectancy. It was just at this excruciatingly
delightful junction that the twittering occurred which constitutes the
bone of this contention (if a twitter can be called a bone) and to that
I deem it important to add some observations by way of explanation,
refutation, and extenuation.
Public-domain text, read in full here on John Shaqi.
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