The telephone, the microphone & the phonographDu Moncel, Th., comte
History
The telephone, the microphone & the phonograph
Du Moncel, Th., comte
Microphone; Phonograph; Telephone
‘The following is the most remarkable and instructive experiment: When
setting the sender to work with a single Daniell cell, there is no
appreciable effect at the receiving station, at least in the telephone
which I have made, when it is in immediate connection with the circuit;
after inserting the small induction coil, sounds become distinctly
audible, and their intensity equals that of good ordinary telephones.
Since the battery current is only moderately intense, the points of
plumbago are not worn down, and the regulating apparatus lasts for a
long while. When a stronger battery is used, consisting of six cells
of bichromate of potash (in tension) or twelve Leclanché cells,
sufficient intensity is obtained by the direct action to make sounds
nearly as audible as in ordinary telephones; but when the induction
coil is inserted, the sounds become much more intense, and may be heard
at a distance of from fifty to sixty centimètres from the mouthpiece.
Songs may, under such circumstances, be heard at a distance of several
yards; but the relative increase does not appear to be so great as in
the case of the single Daniell cell.’
On the other hand, ‘Les Mondes,’ March 7, 1878, contains an account of
a series of experiments made by Signor Luvini, Professor of Physics
at the Military Academy of Turin, which proved that the introduction
of electro-magnets into the circuit which connects the two telephones
sensibly increases the intensity of sound. The maximum effect is
produced by placing one close to the transmitting, and the other close
to the receiving telephone, and the introduction of other magnets is
of no use. The inducing wire of a Ruhmkorff coil, when introduced into
such a circuit, excited no sensible effects of induction in the induced
circuit, and consequently could not set the telephone in connection
with this circuit at work. But the current of a Clarke machine produces
sounds resembling the beats of a drum, which are deafening when the ear
is applied to the instrument: they become very faint, however, at the
distance of a mètre. The currents of a Ruhmkorff machine are still
more energetic, and the sound fills a whole room. By modifying the
position of the lever of the coil, the sound passes through different
tones, which are always in unison with the breaks of the current, at
least up to a certain pitch.
Public-domain text, read in full here on John Shaqi.
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