Among well known makers of telescopes the Clarks and their equally
skilled successors the Lundins, father and son, developed the art
of local retouching to a point little short of wizardry; the late
Dr. Brashear depended almost entirely on the adroitly used polishing
machine; Sir Howard Grubb uses local correction in certain cases,
and in general the cautiously modified polisher; while some of the
Continental experts are reported to have developed the local method
very thoroughly.
The truth probably is that the particular error in hand should
determine the method of attack and that its success depends entirely
on the skill of the operator. As to the perfection of the objectives
figured in either way, no systematic difference due to the method of
figuring can be detected by the most delicate tests.
In any case the figuring operation is long and tedious, especially in
large work where problems of supporting to avoid flexure arise, where
temperature effects on tool and glass involve long delays between tests
and correction, and where in the last resort non-spherical surfaces
must often be resorted to in bringing the image to its final perfection.
The final test of goodness is performance, a clean round image without
a trace of spherical or zonal aberration and the color correction the
best the glasses will allow. Constant and rigorous testing must be
applied all through the process of figuring, and the result seems to
depend on a combination of experience, intuition and tactual expertness
rarely united in any one person.
Sir Howard Grubb, in a paper to be commended to anyone interested in
objectives, once forcibly said: “I may safely say that I have never
finished any objective over 10 inches diameter, in the working of which
I did not meet with some new experience, some new set of conditions
which I had not met before, and which had then to be met by special and
newly devised arrangements.”
The making of reflecting telescopes is not much easier since although
only one surface has to be worked, that one has to be figured with
extraordinary care, flexure has to be guarded against at every stage
of the working, and afterwards, temperature change is a busy foe,
while testing for correct figure, the surface being non-spherical, is
considerably more troublesome.
An expert can make a good mirror with far less actual labor than an
objective of similar aperture, but when one reads Dr. Henry Draper’s
statement that in spite of knowing at first hand the methods and
grinding machines of Lord Rosse and Mr. Lassell, he ground over a
hundred mirrors, and spent three years of time, before he could get a
correct figure with reasonable facility, one certainly gains a high
respect for the skill acquired.
Public-domain text, read in full here on John Shaqi.
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