Eventually he awoke to some realization of the passage of time, and
looked at his watch. It was past the hour for the roll-call on the bill
which his absence might deliver into the hands of the enemy, the cause
for which he and his colleagues had been fighting.
He came with an effort to his feet and went heavily through the corridor
and into the chamber. At the door, where he leaned against the casing,
he heard the clerk of the house calling the roll, and the staccato
"Ayes" and "Noes" of the responses. Already the alphabetical sequence
had progressed to the U's, and soon his own name would follow. Then it
came, and at first his stiff tongue could not answer. He was licking his
lips and his throat worked with some spasmodic reflex. Finally he heard
a strained and unnatural voice, which he could hardly recognize as his
own, answering "No."
Heads turned toward him at the queer sound, and from somewhere rose a
twittering of laughter. That was perhaps natural enough, for to the
casual and uncomprehending eye he made a spectacle both sorry and
ludicrous--this usually self-contained young man who now stood
stammering and disordered of guise, like a fellow not wholly recovered
from a night-long debauch.
CHAPTER XXXVII
The transforming touch of a razor, a studied amendment of manner and
apparel, and the passing of ten years: these are things which can work
an effective disguise for an Enoch Arden returned to village streets
that knew him long ago. Quietly dressed in clothes that were neither
good enough nor mean enough to arrest the passing eye, a middle-aged man
dropped from the evening train onto the cinder platform at Marlin Town.
Shrewd winds whipped in through icicled ravines, and the new arrival
fresh from equatorial latitudes shivered under their sting.
He thrust his hands into his pockets and scowled about him. For so long
his memory had softened the uneven contours and colours of this town
with the illusory qualities of homesickness that now its tawdry
actuality brought something of a shock. It was all raw and comfortless,
and as the newcomer looked up at the forbidding summits he snarled to
himself, "They ain't a patch on the Andes."
Across from the old brick court house, with its dilapidated cupola and
its indefinable air of the mediaeval, sat the general store, proclaimed
in a sign of crippled lettering, "The Big Emporium." Tom Carr's nephews
directed this centre of industry and, from a grimy "office" above
stairs, Tom Carr directed his nephews. Until recent days he had also
directed, with a dictator's fiat power, most of the affairs of the
countryside. From that second-story room, the Gregories would have
declared with conviction Tom's father had "hired" Asa's father killed.
It was in its unadorned fashion a place of crumbling traditions.
Sitting there of late, Tom had done some unvarnished thinking anent the
expanding influence of young Boone Wellver.
Public-domain text, read in full here on John Shaqi.
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