The Temple of Nature; or, the Origin of Society: A Poem, with Philosophical NotesDarwin, Erasmus
Philosophy
The Temple of Nature; or, the Origin of Society: A Poem, with Philosophical Notes
Darwin, Erasmus
Cosmology -- Poetry; Life -- Origin -- Poetry
The lamprey, petromyzon, is put by Linneus amongst the nantes, which
are defined to possess both gills and lungs. It has seven spiracula,
or breathing holes, on each side of the neck, and by its more perfect
lungs approaches to the serpent kind; Syst. Nat. The means by which it
adheres to stones, even in rapid streams, is probably owing to a
partial vacuum made by its respiring organs like sucking, and may be
compared to the ingenious method by which boys are seen to lift large
stones in the street, by applying to them a piece of strong moist
leather with a string through the centre of it; which, when it is
forcibly drawn upwards, produces a partial vacuum under it, and thus
the stone is supported by the pressure of the atmosphere.
The leech, hirudo, and the remora, echeneis, adhere strongly to
objects probably by a similar method. I once saw ten or twelve leeches
adhere to each foot of an old horse a little above his hoofs, who was
grazing in a morass, and which did not lose their hold when he moved
about. The bare-legged travellers in Ceylon are said to be much
infested by leeches; and the sea-leech, hirudo muricata, is said to
adhere to fish, and the remora is said to adhere to ships in such
numbers as to retard their progress.
The respiratory organ of the whale, I suppose, is pulmonary in part,
as he is obliged to come frequently to the surface, whence he can be
pursued after he is struck with the harpoon; and may nevertheless be
in part like the gills of other fish, as he seems to draw in water
when he is below the surface, and emits it again when he rises above
it.
ADDITIONAL NOTE. VI.
HIEROGLYPHIC CHARACTERS.
So erst as Egypt's rude designs explain.
CANTO I. l. 351.
The outlines of animal bodies, which gave names to the constellations,
as well as the characters used in chemistry for the metals, and in
astronomy for the planets, were originally hieroglyphic figures, used
by the magi of Egypt before the invention of letters, to record their
discoveries in those sciences.
Other hieroglyphic figures seem to have been designed to perpetuate
the events of history, the discoveries in other arts, and the opinions
of those ancient philosophers on other subjects. Thus their figures of
Venus for beauty, Minerva for wisdom, Mars and Bellona for war,
Hercules for strength, and many others, became afterwards the deities
of Greece and Rome; and together with the figures of Time, Death, and
Fame, constitute the language of the painters to this day.
From the similarity of the characters which designate the metals in
chemistry, and the planets in astronomy, it may be concluded that
these parts of science were then believed to be connected; whence
astrology seems to have been a very early superstition. These, so far,
constitute an universal visible language in those sciences.
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