The Tenants: An Episode of the '80sWatts, Mary S. (Mary Stanbery)
General
The Tenants: An Episode of the '80s
Watts, Mary S. (Mary Stanbery)
Dwellings -- Fiction; Families -- Fiction; Ohio -- Social life and customs -- Fiction
rocking-chairs and mirrors.
The Chorus of "William Tell" arrived a long while ahead of the stars,
who, as we have seen, were dining with Doctor Vardaman. Even by the
time the Chorus had finished dressing--there was only one of him, as
I believe I have intimated elsewhere, a tall fair young man, who wore
eye-glasses in private life and was a great admirer of Mazie's,--the
rest of the cast had not yet put in an appearance. I suppose if we
could have known what was going forward in the Swiss cottage we would
have been much exercised; but we had no apprehensions, and no quick
means of communication, if any doubts had assailed us. Few private
houses had a telephone in those days, not even the Pallinders--which
was, no doubt, owing in large part to the inconvenient habit prevailing
among telephone-companies from the earliest times of demanding
quarterly payments in advance, and removing the instrument if they
were not forthcoming. So far from worrying, however, we found some
pleasurable excitement in the long wait behind the scenes, and stealthy
peeps through the eye-hole. The setting for "Tell" was the same
throughout its two acts as I recall, a Swiss picture with Alps in the
background, canvas trees and foliage to the front, and a "practicable"
well with a gigantic sweep, whence they brought up pails of water and
diluted the contents of _Tell's_ milk-cans--he was a dairyman in the
burlesque; this was the _Schactenthal Waterfall_, and was the subject
of many noble apostrophes from all the actors; even _Gessler_ and
_Jemmy_ had something to say about it. There was a trap-door in the
floor of the stage and a servant stood to hand up buckets as they were
needed.
"Most people," the Chorus remarked to me, "would have had to put up a
lot of money for all this. The colonel got a carpenter from the Grand
Opera House, not the head man, I suppose, but some second-best fellow
they could spare, to plan and oversee it all, so that everything would
be safe. That's the man over there now; he told me the bill for the
lumber alone would be thirty-five or forty dollars--and it's good for
nothing but kindling-wood after to-night, you know."
We were sitting together on a green baise-covered mound, very much in
the way, doubtless, as we watched the men getting things in position.
I had no business to be there at all, but I was dressed and ready for
my part, and so alive with curiosity and excitement, I could no more
stay in one place sedately than a young kitten or puppy. The stolid
professionals at work on the scenery endured our presence on the
principle, perhaps, that bids us to suffer fools kindly.
Public-domain text, read in full here on John Shaqi.
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