The Tenants: An Episode of the '80sWatts, Mary S. (Mary Stanbery)
General
The Tenants: An Episode of the '80s
Watts, Mary S. (Mary Stanbery)
Dwellings -- Fiction; Families -- Fiction; Ohio -- Social life and customs -- Fiction
manner suggested: "Well, all right, just wait till I get my hat on!"
Kitty mimicked her in the bedroom, until the rest of us were feeble
with laughter. Owing to Colonel Pallinder's forethought, the machinery
of the curtain and footlights worked perfectly, and the stage-settings
were orderly and accurate; but aside from these, every accident known
to the production of amateur theatricals befell us. At one juncture,
when there should have been a "loud crash" behind the scenes, none
occurred, no one in particular having been entrusted with that feature
of the performance; and, in the midst of a dead silence, Jimmie
Hathaway found himself obliged to exclaim, "Good Heavens! What is all
that infernal din about?" To make matters worse, some over-zealous
person immediately thereon made a "loud crash," and Jimmie, lacking the
presence of mind to repeat his former remark, went on with the next
speech: "Everything is quiet as the grave, now. What could it have
been?" The general verdict was that J. B. did very well, even in the
love-scenes where we had thought he would make a failure of it; but
J. B. was deservedly popular anyway. He triumphed by sheer force of
personality. The young fellow was so kind and hearty and good-looking
he could not but be pleasing. Whatever applause "Mrs. Tankerville"
brought forth (and that of a sadly feeble and perfunctory nature, I
fear) went to him, and none of us grudged it.
The play has three acts, and our much-enduring audience had sat through
two of them, when Huddesley waylaid Mazie behind the scenes as she
was rushing back for one of her numerous changes of costume. These
afforded a species of entertainment that was "not in the bill," as some
humourist observed; "Mrs. Tankerville's" clothes were one of the few
points of real interest about the performance.
"Miss Pallinder?" said Huddesley, timidly halting in her way.
"Yes, what is it?"
"Here's the di'monds," said Huddesley, presenting the box, done up for
the sake of stage-effect in a rather large and lumbering parcel. "I've
been carrying 'em around like you told me to, so they'd be safe. I
didn't want to give 'em to hanybody but you, and I've got to go now.
You know I don't have to show again, except where Mr. Taylor comes in
and sees me in the mirror, and plugs me over with the pistol-shot, and
then they drag me out from behind the screen. And I thought anybody
could put on the clothes for that, as long as the audience don't see
anything but just a body----"
"Yes, but what's the matter? Why can't you finish?" asked Mazie, a
little startled. She took the box mechanically, and edged toward her
room.
"If you please, ma'am, I ain't feelin' very well. I think maybe it's
the wet cold night. It's just come over me--I've got a kind of bad turn
on the stomach and----"
Public-domain text, read in full here on John Shaqi.
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