The Tenants: An Episode of the '80sWatts, Mary S. (Mary Stanbery)
General
The Tenants: An Episode of the '80s
Watts, Mary S. (Mary Stanbery)
Dwellings -- Fiction; Families -- Fiction; Ohio -- Social life and customs -- Fiction
By this time, in the crowded area behind the scenes, what with gas-jets
burning full head on, the smell of cookery coming up the back stairs,
sawdust, recent paint, cut flowers, innumerable other odours perfectly
impossible to classify, the air had grown well-nigh unbearable.
Everybody was overheated and out of temper; the play dragged on
stupidly. I went down to the second landing for a breath of fresh air,
and was standing there by the open window, in, I suppose, the only
quiet and cool spot in the whole house, when someone came with a rush
down the stairs. It was Huddesley. I remember being struck, as I turned
and saw him, with the sharp rigidity of his features; devoid of paint
and false beard, they resembled a parchment mask. There was an animal
swiftness in his movements, yet he stopped short as we faced, taking
the last three steps with an air of leisure, and a certain reckless
and impudent triumph in his glance. He had something in his hand, and
I recall the jaunty motion with which he tossed and caught it--it was
a gold coin--and thrust it deep in his pocket; Bob's money, no doubt,
but I knew nothing of that, and seeing the man pause, looked at him
inquiringly "Why, if there ain't little tootsie that I made a face at!"
he said. "Sorry I scared you, toots! Bye-bye!" And while I yet stood in
a helpless stupor of surprise, passed an arm around my bare shoulders,
twitched my chin into his hand, and--he was gone with a laugh, out of
the house, and out of our lives! I may fairly say that of all that
company I was the last to have any dealings with Huddesley; and I took
care, as may be imagined, that no one else should know the picturesque
circumstances of his departure. Fortunately my testimony was not
necessary, was not even asked. He went, and the night received him into
its dark world of wet and wind and tossing branches. No exit could have
been more appropriate, more typical.
A moment later the thunderous rumble of chairs and outburst of voices
overhead announced that "Mrs. Tankerville's Tiara" had at last run
its disastrous course. It was very late; "William Tell" had not begun
until nearly ten o'clock, and the encores had taken up a good deal of
time. The second play had not been prolonged by undue enthusiasm from
the audience, at any rate; yet I doubt if they were as weary of it as
we. It hung on in spite of us; the speeches that we had heard till
flesh and spirit fairly recoiled from the sound of them (and yet no one
knew his own!) simply would _not_ get themselves said. We had reached
the mood when we hated the smooth and conscientious politeness of our
hearers.
"Up at the 'Peoples' they'd guy this thing off the stage," one young
man said to another. "And serves us right, too!"
"I wish to goodness we'd stopped with 'Tell,' the audience wouldn't
have been so tired----"
Public-domain text, read in full here on John Shaqi.
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