The Tenants: An Episode of the '80sWatts, Mary S. (Mary Stanbery)
General
The Tenants: An Episode of the '80s
Watts, Mary S. (Mary Stanbery)
Dwellings -- Fiction; Families -- Fiction; Ohio -- Social life and customs -- Fiction
"Oh, I've talked that all over with J. B." said Mazie. "It was his
suggestion, you know. They gave it at college, his senior year, and, of
course, all the parts were done by men. He said it was simply great.
It's a take-off of the real 'William Tell.' What do you think? Doctor
Vardaman asked if it was the real 'Tell,' and he said there was a
beautiful _adagio_ for the horn in the overture! I simply screamed--I
laughed till I nearly fell over. You see the funny thing is there _is_
a horn--but it's a dinner horn! Archie Lewis comes on with it when he
sings his topical song. Archie's to be 'Tell,' you know. He's got a hit
on everyone in town--they'll all be here in the audience, of course. It
begins:
"'I'm a horny--horny--horny-handed
SON OF TOIL!
From Maine to California
You couldn't find a hornier,
And--and--I'm----
I can't remember the rest of it. He and J. B. wrote the verses--it's
awfully funny, don't you think, Muriel? We've seen them go over parts
of it."
"Yes," said Muriel tepidly. We all looked at her with some curiosity;
lying back in one of Mazie's profuse rocking-chairs, she seemed very
large by contrast with the rest of us. She had long round arms, long
sloping thighs, long hands and feet, a great deal bigger than any of
ours, but well-shaped, in so just a proportion one hardly noticed
their size. I think I never saw so beautiful a woman. Beside her large
classic calm, we were as a tribe of little gesticulating marionettes.
She listened to our facile laughter, our high, excited voices, with
a grave and rather wondering tolerance; no one ever saw _her_ laugh.
We decided it was a pose with her, thinking she was conscious, very
likely, that outright mirth or any other visible emotion would somehow
become her ill. You cannot imagine the Bartholdi Liberty laughing. Such
regularity of features, such steadfast, intrepid eyes had Muriel; and
so did she oppose to passing people and events, silence and an unmoved
brow. I give the idea that she was dull; it was not so. She thought as
much and as much to the point as any of us; she only lacked our fevered
sprightliness.
Public-domain text, read in full here on John Shaqi.
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