“Maybe not; just the same, it goes as it lies. You ought to know me by
this time. Keep your hands where I can see them--it’s safer, because I
can always beat you to the draw. Now listen: if you had the brain of a
louse, Sheeny--which you haven’t--you’d know that I am worth more to
the house in a month than a little one-horse railroad clerk would be in
a year.” And to show his good will, he turned to the nearest roulette
wheel and took his place in the circle of players.
It was something like an hour later, and after he had consistently and
painstakingly lost considerably more than the sum he had given young
Middleton, that he drifted aimlessly out of the game room and across
the stair-head landing into the open space serving as the back gallery
of the varieties theater. A dancing girl in chalk-white tights had just
finished her turn, and men in the crowded lower part of the theater
were pitching silver dollars onto the stage in lieu of bouquets,
stamping their applause with booted feet. Philip, looking down upon the
scene in a saddened reverie from the gallery height, saw the beginning
of a drunken fight in the pit. Two shirt-sleeved men from the third
row of seats in the orchestra struggled up, went into a fierce clinch
and stumbled into the aisle in a pummelling wrestle. Before any of the
aproned bar-servers could drop their trays and intervene, the wrestlers
fell apart and there was the sharp report of a pistol to dominate the
clamor of stamping feet--the crack of a pistol and a woman’s scream.
The gurgling scream came from one of the gallery boxes on the left, and
Philip whipped out of his sober reverie with a bound and ran. Half-way
down the passageway behind the row of cell-like boxes he collided with
a red-faced man racing to escape. “They’ve shot the woman!” he gasped,
struggling to free himself from Philip’s detaining grasp. “Lemme get
out of here--I ain’t in it!”
Philip let the craven go and hurried on. In the box of tragedy the
curtain had been drawn and two women were kneeling over a third who
was lying on the floor. One of the women sprang to her feet as he
entered and her eyes were blazing.
“That pie-eyed ---- ---- ---- down there shot at nothin’ and got Lola!”
she raged. “Don’t let her die in this hell-hole! Get help to carry her
over to her room! It’s just across the street.”
In a trice Philip had captured two of the gallery drink servers, and
the victim of the wild shot was quickly carried out and down the stairs
and across to the darkened building opposite, the two women following.
At the foot of the unlighted stairway where Jean Dabney had more than
once turned him back, Philip found himself in the clutch of the woman
with the blazing eyes.
“Wait,” she panted. “There’s enough of ’em to carry her up and to run
for a doctor and her man. What she’s needin’ is a priest, but she ain’t
a Catholic, and none o’ the others’d dirty their hands with the likes
of us.”
Public-domain text, read in full here on John Shaqi.
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