I glance up from my writing. Wherever my eyes wander they dwell on some shocking detail of defiled beauty or tattered flesh. From the shadow of trees and through parted grass, faces which yesterday were vivacious with health, stare vacantly at me growing green and yellow. They are more still than the sleepers of a Rip Van Winkle land. Their shoulders are bunched, their knees drawn up, their hands clenched. Beside them little piles of paper flutter or dance away like white butterflies drifted through the sunshine. The wind stoops over them like an invisible rag-picker, curiously fingering the scattered pages. Early this morning some of the troops who passed through us to the fight, ransacked the pockets of their fallen comrades. The objects of their search were mainly matches and cigarettes, but in some cases they exchanged boots and puttees. I suppose they argued that you cannot rob a man who is dead; he has no further use for his possessions. Sooner or later some one is bound to rob him; that being the case, there is no one who can do it with less offence than men who are shortly to die themselves. Nevertheless it’s a strange and brutal logic, for these very men may themselves be equally stark and incapable of resentment by sundown. Moreover, they showed an unnecessary callousness in their borrowing, when they scattered letters from sweethearts, wives and mothers to the four winds of heaven. In peace-times we keep the memory of our friends alive with flowers; in war, the moment the breath has left a comrade’s body he ceases to be human and becomes the victim of disrespect. What a chamber of horrors one day’s fighting has made of these woods! No human ingenuity can compete with the diabolical inventiveness of death. No two postures are alike in this array of corpses; each one strikes a different note of agony. Why should we have come so far, from Canada, Australia and the wideness of the world, to create this French landscape into such a slaughter-house? Why above all things, should we still be willing to hand over our bodies to add one touch more to its martyred picturesqueness? We must be drunk with visions so to carve out of living flesh the image of our despotic idealism. Saints or devils, whichever we are, war has made us more than men.