But our nature moves within its own inexorable limits. In Diana,
Marsham's touch, Marsham's embrace awakened that strange mingled
happiness, that happiness reared and based on tragedy, which the pure
and sensitive feel in the crowning moments of life. Love is tortured by
its own intensity; and the thought of death strikes through the
experience which means the life of the race. As her lips felt Marsham's
kiss, she knew, as generations of women have known before her, that life
could give her no more; and she also knew that it was transiency and
parting that made it so intolerably sweet.
"Till death us do part," she said to herself. And in the intensity of
her submission to the common lot she saw down the years the end of what
had now begun--herself lying quiet and blessed, in the last sleep, her
dead hand in Marsham's.
* * * * *
"Why must we go home?" he said, discontentedly, as he released her. "One
turn more!--up the avenue! There is light enough yet!"
She yielded weakly; pacifying her social conscience by the half-penitent
remark that Mrs. Colwood would have said good-bye to her guests, and
that--she--she supposed they would soon have to know.
"Well, as I want you to marry me in six weeks," said Marsham, joyously,
"I suppose they will."
"Six weeks!" She gasped. "Oh, how unreasonable!"
"Dearest!--A fortnight would do for frocks. And whom have we to consult
but ourselves? I know you have no near relations. As for cousins, it
doesn't take long to write them a few notes, and ask them to
the wedding."
Diana sighed.
"My only cousins are the Mertons. They are all in Barbadoes but Fanny."
Her tone changed a little. In her thoughts, she added, hurriedly: "I
sha'n't have any bridesmaids!"
Marsham, discreetly, made no reply. Personally, he hoped that Miss
Merton's engagements might take her safely back to Barbadoes before the
wedding-day. But if not, he and his would no doubt know how to deal with
her--civilly and firmly--as people must learn to deal with their
distasteful relations.
Public-domain text, read in full here on John Shaqi.
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