Oliver, now lying with closed eyes on his sofa, lived again through the
sensations and impressions of that first hour: the pain--the arrival of
the doctor--the injection of morphia--the blessed relief stealing
through his being--and then Alicia's face beside him. Delivered from the
obsession of intolerable anguish, he had been free to notice with a kind
of exultation the tears in the girl's eyes, her pale tremor and silence.
Never yet had Alicia wept for _him_ or anything that concerned him.
Never, indeed, had he seen her weep in his whole life before. He
triumphed in her tears.
Since then, however, their whole relation had insensibly and radically
changed; their positions toward each other were reversed. Till the day
of his injury and his defeat, Marsham had been in truth the wooed and
Alicia the wooer. Now it seemed to him as though, through his physical
pain, he were all the time clinging to something that shrank away and
resisted him--something that would ultimately elude and escape him.
He knew well that Alicia liked sickness and melancholy no more than he
did; and he was constantly torn between a desire to keep her near him
and a perception that to tie her to his sick-room was, in fact, the
worst of policies.
Persistently, in the silence of the hot room, there rang through his
brain the questions: "Do I really care whether she stays or goes?--do I
love her?--shall I ever marry her?" Questions that were immediately
answered, it seemed, by the rise of a wave of desolate and desperate
feeling. He was maimed and ruined; life had broken under his feet. What
if also he were done forever with love and marriage?
There were still some traces in his veins of the sedative drug which had
given him a few hours' sleep during the night. Under its influence a
feverish dreaminess overtook him, alive with fancies and images. Ferrier
and Diana were among the phantoms that peopled the room. He saw Ferrier
come in, stoop over the newspaper on the floor, raise it, and walk
toward the fire with it. The figure stood with its back to him; then
suddenly it turned, and Marsham saw the well-known face, intent, kindly,
a little frowning, as though in thought, but showing no consciousness of
his, Oliver's, presence or plight. He himself wished to speak, but was
only aware of useless effort and some intangible hinderance. Then
Ferrier moved on toward a writing-table with drawers that stood beyond
the fireplace. He stooped, and touched a handle. "No!" cried Oliver,
violently--"no!" He woke with shock and distress, his pulse racing. But
the feverish state began again, and dreams with it--of the House of
Commons, the election, the faces in the Hartingfield crowd. Diana was
among the crowd--looking on--vaguely beautiful and remote. Yet as he
perceived her a rush of cool air struck on his temples, he seemed to be
walking down a garden, there was a scent of limes and roses.
"Oliver!" said his mother's voice beside him--"dear Oliver!"
Public-domain text, read in full here on John Shaqi.
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