that after half an hour spent with Mrs. Roughsedge and Hugh in the
little drawing-room at the White Cottage, Diana's aspect was very
different from what it had been when she arrived.
Hugh, however, had noticed her pallor and depression. He was obstinately
certain that Oliver Marsham was not the man to make such a girl happy.
Between the rich Radical member and the young officer--poor, slow of
speech and wits, and passionately devoted to the old-fashioned ideals
and traditions in which he had been brought up--there was a natural
antagonism. But Roughsedge's contempt for his brilliant and successful
neighbor--on the ground of selfish ambitions and unpatriotic
trucklings--was, in truth, much more active than anything Marsham had
ever shown--or felt--toward himself. For in the young soldier there
slept potentialities of feeling and of action, of which neither he nor
others were as yet aware.
Nevertheless, he faced the facts. He remembered the look with which
Diana had returned to the Beechcote drawing-room, where Marsham awaited
her, the day before--and told himself not to be a fool.
Meanwhile he had found an opportunity in which to tell her, unheard by
his parents, that he was practically certain of his Nigerian
appointment, and must that night break it to his father and mother. And
Diana had listened like a sister, all sympathy and kind looks, promising
in the young man's ear, as he said good-bye at the garden gate, that she
would come again next day to cheer his mother up.
He stood looking after her as she walked away; his hands in his pockets,
a flush on his handsome face. How her coming had glorified and
transformed the place! No womanish nonsense, too, about this going of
his!--though she knew well that it meant fighting. Only a kindling of
the eyes--a few questions as practical as they were eager--and then that
fluttering of the soft breath which he had noticed as she bent over
his mother.
But she was not for him! Thus it is that women--the noblest and the
dearest--throw themselves away. She, with all the right and proper
feelings of an Englishwoman, to mate with this plausible Radical and
Little Englander! Hugh kicked the stones of the gravel savagely to right
and left as he walked back to the house--in a black temper with his
poverty and Diana's foolishness.
But was she really in love? "Why then so pale, fond lover?" He found a
kind of angry comfort in the remembrance of her drooping looks. They
were no credit to Marsham, anyway.
Public-domain text, read in full here on John Shaqi.
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