Diana fled, pursued by Betty's raillery, and then by the thought of this
lonely laughing woman, often tormented by pain, standing on the brink of
ugly death, and yet turning back to look with this merry indulgent eye
upon the past; and on this dingy old world, in which she had played so
ragged and limping a part. Yet clearly she would play it again if she
could--so sweet is mere life!--and so hard to silence in the breast.
Diana walked quickly through the woods, the prey of one of those vague
storms of feeling which test and stretch the soul of youth.
To what horrors had she been listening?--the suffering of the blinded
road-mender--the grotesque and hideous death of the young laborer in his
full strength--the griefs of a childless and penniless old woman? Yet
life had somehow engulfed the horrors; and had spread its quiet waves
above them, under a pale, late-born sunshine. The stoicism of the poor
rebuked her, as she thought of the sharp impatience and disappointment
in which she had parted from Mrs. Colwood.
She seemed to hear her father's voice. "No shirking, Diana! You asked
her--you formed absurd and exaggerated expectations. She is here; and
she is not responsible for your expectations. Make the best of her, and
do your duty!"
And eagerly the child's heart answered: "Yes, yes, papa!--dear papa!"
And there, sharp in color and line, it rose on the breast of memory, the
beloved face. It set pulses beating in Diana which from her childhood
onward had been a life within her life, a pain answering to pain, the
child's inevitable response to the father's misery, always discerned,
never understood.
This abiding remembrance of a dumb unmitigable grief beside which she
had grown up, of which she had never known the secret, was indeed one of
the main factors in Diana's personality. Muriel Colwood had at once
perceived it; Marsham had been sometimes puzzled by the signs of it.
To-day--because of Fanny and this toppling of her dreams--the dark mood,
to which Diana was always liable, had descended heavily upon her. She
had no sooner rebuked it--by the example of the poor, or the remembrance
of her father's long patience--than she was torn by questions, vehement,
insistent, full of a new anguish.
Why had her father been so unhappy? What was the meaning of that cloud
under which she had grown up?
She had repeated to Muriel Colwood the stock explanations she had been
accustomed to give herself of the manner and circumstances of her
bringing-up. To-day they seemed to her own mind, for the first time,
utterly insufficient. In a sudden crash and confusion of feeling it was
as though she were tearing open the heart of the past, passionately
probing and searching.
Public-domain text, read in full here on John Shaqi.
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