The Theatrocrat: A Tragic Play of Church and StageDavidson, John
General
The Theatrocrat: A Tragic Play of Church and Stage
Davidson, John
Drama
Europa. And I'm an actress: an actress, do you see?
And furthermore, and most, there's not a crowd
Of actresses in London, or in the world.
Blyth. A many actresses have tried it on.
Europa. And all have failed, and all were bound to fail;
But every one prepared Europa's path.
Blyth. Sir Tristram's reputation's not that kind.
He's most respectable in every way:
The clergy patronize him.
Europa. I know all that.--
Well, kiss me, Blyth; my cheek. You're handsomer
Than Tristram. What! Are _you_ respectable?
Blyth. No; but the money. I stick to that, you know.
Europa. Oha! Ohe! Why, there's another lot;
[Gives him money and kisses him.]
And this for being so smart a simpleton.
You're mine, remember; body and soul, you're mine.
Blyth. I'm yours.
Europa. Now hurry, Blyth, or you'll be missed.
[Blyth goes out.]
And I'll be mistress here, or know who is.
Blyth, Blyth! Come back!
[Re-enter Blyth.]
Blyth. For God's sake, not so loud!
Europa. Some day, I'll shout.--What do they think of me?
You heard them pass remarks.
Blyth. I heard them say
Europa's just the best thing in the show.
Europa. That's what I like to hear! Dear Blyth! Be off!
[Blyth goes out.]
The best thing in the show--Europa just,
Who caught and held Sir Tristram's eyes to-day
Until he fathomed hers. I think we said,
If looks can speak, "I'm ready when you like."
A footstep and a skirt. Sir Tristram's wife?
[Closes the door, leaving it ajar. Turns out the light in the
Business-room.]
[Enter Lady Sumner. Opening the portmanteau she searches her husband's
pockets.]
Lady S. Is this the place? No; better in the house;
Best in his bed; the moment he comes home!
Oh, beautifully done to drink it there
And then! And with my dying breath to curse
My husband for a coward that killed my soul,
And feared himself to die. I'm not afraid.
After I'm dead I'll come to life again,
And tell him what he asked; and when I'm dead
Indeed, my wraith will haunt him, whispering still
The thing he asked: who had my earliest kiss
Of love; who woke my heart and strung my soul
To ecstasy _he_ withered with his lust.
I'll hiss it nightly in his waking ear;
Torture him too with dreams. Not every night;
But now and then to wear him out with doubt:
I'll madden him and kill him patiently.
[She finds the letter as well as the vial.]
What faded letter's this? [Reads] "Do you know
"that Warwick Groom and Martha Sackville were
"lovers? She visited him every night in his dressing-
"room at the Parthenon when he played Romeo; and
"the reason why he insisted on beginning the fourth
"act with the fifth scene of the third act was the reason
"you guess at once: it gave them time. But that
"was not the only place in the play where they
"performed their private intermede. How this was
"managed? Ask old Odham, Groom's dresser."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account