The Theistic Conception of the World: An Essay in Opposition to Certain Tendencies of Modern ThoughtCocker, B. F. (Benjamin Franklin)
Religion
The Theistic Conception of the World: An Essay in Opposition to Certain Tendencies of Modern Thought
Cocker, B. F. (Benjamin Franklin)
Theism
Disregarding the chronology of Archbishop Usher printed in the margin of
our Bible, and the division into chapters and verses made by Hugh de St.
Cher--both modern inventions which are no part of the sacred
record--and purging our minds of those prepossessions which are
incident to an uncritical faith, we can now contemplate the Symbolical
Hymn of Creation in its simple and original form, as a record of the
_self-manifestation of God_, given in such order and under such
conditions that it shall be apprehensible and interpretable by the
finite mind.
1. _Creation was a gradual process._ God did not create a perfect
universe at once, but built it up slowly, step by step. A consistent
interpretation of the record forbids us to regard "the Creative Week" as
a literal week composed of days of twenty-four hours each. Creation is
the work of God, and surely the Divine action can not have been
conditioned by time-measures which did not exist before, but were
consequent upon the act of God. The great cyclical changes in nature
produced by the creative Word are the only measures of time. Therefore
the "days" of the Creative Week are _new appearances, new
manifestations, new developments_ in the creative purpose of God.
The first morning is the appearance of _luminosity_ in the aeriform
fluid, or nebulous vapor, whatever science may finally determine that to
have been. The Hebrew מַיִם (mayim), from the root ים, which denotes
_tumultuous_, _tremulous_, or _undulatory_ movement, is used of the
waters of the ocean, of the waters above the firmament, of vapor and
clouds, because of their susceptibility of tremulous, undulatory motion.
The first distinct creative formation was _heat_, or invisible molecular
motion, resulting from "the Spirit of God brooding upon the face of the
abyss;" and this heat reveals itself in the phenomena of _light_.[198]
How closely the ideas of light and heat were united in the Hebrew mind
is shown by the same word being used for both, with merely a slight
difference in pronunciation, אוֹר (ōr) and אוּר (ūr).
The second morning is the appearance of an _expanse_ in the midst of the
vapors, dividing the vapors which were below the expanse from the vapors
which were above the expanse. The Hebrew רֳקִיֹעַ (rakai), from רֳקַע (to
stretch, to spread out), means properly an extension, an expanse. This
is the translation adopted by Benisch, Kalisch, Delitzsch, Keil, and
Lange. After heat and light, the next creative formation is an
_atmosphere_, with its auroral light and a cloudy canopy.
Public-domain text, read in full here on John Shaqi.
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