The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.Smith, Adam
Philosophy
The Theory of Moral Sentiments: Or, an Essay Towards an Analysis of the Principles by Which Men Naturally Judge Concerning the Conduct and Character, First of Their Neighbours, and Afterwards of Themselves. to Which Is Added, a Dissertation on the Origin of Languages.
Smith, Adam
Ethics -- Early works to 1800; Language and languages -- Early works to 1800
savage is made prisoner of war, and receives, as is usual, the sentence
of death from his conquerors, he hears it without expressing any
emotion, and afterwards submits to the most dreadful torments, without
ever bemoaning himself, or discovering any other passion but contempt of
his enemies. While he is hung by the shoulders over a slow fire, he
derides his tormentors, and tells them with how much more ingenuity, he
himself had tormented such of their countrymen as had fallen into his
hands. After he has been scorched and burnt, and lacerated in all the
most tender and sensible parts of his body for several hours together,
he is often allowed, in order to prolong his misery, a short respite,
and is taken down from the stake: he employs this interval in talking
upon all indifferent subjects, inquires after the news of the country,
and seems indifferent about nothing but his own situation. The
spectators express the same insensibility; the sight of so horrible an
object seems to make no impression upon them; they scarce look at the
prisoner, except when they lend a hand to torment him. At other times
they smoke tobacco, and amuse themselves with any common object, as if
no such matter was going on. Every savage is said to prepare himself
from his earliest youth for this dreadful end. He composes, for this
purpose, what they call the song of death, a song which he is to sing
when he has fallen into the hands of his enemies, and is expiring under
the tortures which they inflict upon him. It consists of insults upon
his tormentors, and expresses the highest contempt of death and pain. He
sings this song upon all extraordinary occasions, when he goes out to
war, when he meets his enemies in the field, or whenever he has a mind
to show that he has familiarised his imagination to the most dreadful
misfortunes, and that no human event can daunt his resolution, or alter
his purpose. The same contempt of death and torture prevails among all
other savage nations. There is not a negro from the coast of Africa who
does not, in this respect, possess a degree of magnanimity which the
soul of his sordid master is too often scarce capable of conceiving.
Fortune never exerted more cruelly her empire over mankind, than when
she subjected those nations of heroes to the refuse of the jails of
Europe, to wretches who possess the virtues neither of the countries
which they come from, nor of those which they go to, and whose levity,
brutality, and baseness, so justly expose them to the contempt of the
vanquished.
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