in a less degree in the cults which claim the allegiance of the lower leisure class and of the middle classes. There is a reversion to the use of colored lights and brilliant spectacles, a freer use of symbols, orchestral music and incense, and one may even detect in "processionals" and "recessionals" and in richly varied genuflexional evolutions, an incipient reversion to so antique an accessory of worship as the sacred dance. This reversion to spectacular observances is not confined to the upper-class cults, although it finds its best exemplification and its highest accentuation in the higher pecuniary and social altitudes. The cults of the lower-class devout portion of the community, such as the Southern Negroes and the backward foreign elements of the population, of course also show a strong inclination to ritual, symbolism, and spectacular effects; as might be expected from the antecedents and the cultural level of those classes. With these classes the prevalence of ritual and anthropomorphism are not so much a matter of reversion as of continued development out of the past. But the use of ritual and related features of devotion are also spreading in other directions. In the early days of the American community the prevailing denominations started out with a ritual and paraphernalia of an austere simplicity; but it is a matter familiar to every one that in the course of time these denominations have, in a varying degree, adopted much of the spectacular elements which they once renounced. In a general way, this development has gone hand in hand with the growth of the wealth and the ease of life of the worshippers and has reached its fullest expression among those classes which grade highest in wealth and repute.