Opening the text

The Theory of the Theatre, and Other Principles of Dramatic CriticismHamilton, Clayton Meeker

History

The Theory of the Theatre, and Other Principles of Dramatic Criticism

Name: The Theory of the Theatre, and Other Principles of Dramatic Criticism
Author: Hamilton, Clayton Meeker

Hamilton, Clayton Meeker

Drama -- History and criticism -- Theory, etc.; Theater

Shakespeare, William, 7, 16, 17, 18, 25, 26, 32, 36, 43, 44, 47, 48, 51,
  55, 57, 58, 60, 61, 62, 71, 75, 93, 109, 113, 115, 118, 119, 120, 122,
  130, 132, 135, 136, 154, 157, 158, 163, 172, 197, 202, 220;
  _Antony and Cleopatra_, 16;
  _As You Like It_, 38, 48, 51, 61, 62, 77, 78, 92, 100, 172, 186, 220;
  _Cymbeline_, 17, 62;
  _Hamlet_, 8, 12, 38, 39, 48, 51, 55, 60, 61, 67, 68, 71, 79, 89, 92, 100,
  101, 105, 106, 107, 115, 118, 121, 122, 130, 136, 175, 177, 181, 184,
  185, 187, 194, 203, 233;
  _Henry V_, 41, 77;
  _Julius Caesar_, 104, 125;
  _King John_, 119;
  _King Lear_, 17, 36, 43, 136, 174, 197;
  _Love's Labour's Lost_, 48;
  _Macbeth_, 17, 36, 43, 76, 77, 98, 118, 136, 144, 195;
  _Measure for Measure_, 220;
  _Much Ado About Nothing_, 36, 99;
  _Othello_, 17, 21, 37, 43, 51, 56, 58, 99, 136, 144, 154, 194, 230;
  _Richard III_, 48;
  _Romeo and Juliet_, 61, 76, 174, 232;
  _The Comedy of Errors_, 38;
  _The Merchant of Venice_, 61, 62, 77, 78, 109, 110;
  _The Merry Wives of Windsor_, 215;
  _The Tempest_, 48, 215;
  _Twelfth Night_, 36, 62, 78, 92, 109, 110, 197, 198;
  _Two Gentlemen of Verona_, 61.

Shaw, George Bernard, 43, 47, 143, 147, 222, 223, 224;
  _Candida_, 224, 225;
  _Man and Superman_, 47, 74;
  _Mrs. Warren's Profession_, 224, 225;
  _Plays Pleasant and Unpleasant_, 222;
  _The Philanderer_, 224;
  _The Quintessence of Ibsenism_, 143;
  _Widower's Houses_, 224.

Shelley, Percy Bysshe, 19, 144;
  _The Cenci_, 144.

_Shenandoah_, 101, 108, 157.

Sheridan, Richard Brinsley, 9, 64, 82, 123, 160;
  _The Rivals_, 132, 160;
  _The School for Scandal_, 40, 55, 64, 86, 101, 105, 123, 132.

_Sherlock Holmes_, 22, 121, 157.

_She Stoops to Conquer_, 38.

_Shore Acres_, 87, 193.

Sidney, Sir Philip, 73.

_Sistine Madonna_, 30.

Skinner, Otis, 91.

Socrates, 201.

_Song of Myself_, 182.

_Song of the Open Road_, 217.

Sonnenthal, Adolf von, 106.

Sophocles, 32, 60, 131, 135;
  _Oedipus King_, 25, 38, 60, 100, 144, 181, 219.

_Sorcière, La_, 65, 66.

Sothern, Edward H., 106, 107.

Southey, Robert, 19, 228;
  _After Blenheim_, 228.

_Spanish Tragedy, The_, 76.

Spencer, Herbert, 95;
  _Philosophy of Style_, 95.

Stevenson, Robert Louis, 31, 128, 170, 214, 221;
  _A Gossip on Romance_, 128;
  _Treasure Island_, 33.

_Story of Waterloo, The_, 157.

_Strongheart_, 41.

_Sunken Bell, The_, 194.

_Sweet Kitty Bellairs_, 86.

Swinburne, Algernon Charles, 19;
  _Atalanta in Calydon_, 20.


Talma, 64, 71.

_Tamburlaine the Great_, 73, 136.

_Tartufe, Le_, 100, 116, 230, 231.

_Tears, Idle Tears_, 195.

_Tempest, The_, 48, 215.

Tennyson, Alfred, Lord, 19, 31, 72, 193, 195, 196;
  _Becket_, 19, 72;
  _Idylls of the King_, 195;
  _Tears, Idle Tears_, 195.

Terence, 26, 35, 50.

Thackeray, William Makepeace, 35.

_They_, 52.

Thomas, Augustus, 16, 45, 46, 63, 203, 230;
  _Mrs. Leffingwell's Boots_, 16;
  _The Witching Hour_, 16, 45, 46, 63, 203, 230.

_Tosca, La_, 40, 65, 105.

_Treasure Island_, 33.

Public-domain text, read in full here on John Shaqi.

Opening the text

The Theory of the Theatre, and Other Principles of Dramatic CriticismHamilton, Clayton Meeker

History

The Theory of the Theatre, and Other Principles of Dramatic Criticism

Hamilton, Clayton Meeker

Drama -- History and criticism -- Theory, etc.; Theater

Shakespeare, William, 7, 16, 17, 18, 25, 26, 32, 36, 43, 44, 47, 48, 51,
  55, 57, 58, 60, 61, 62, 71, 75, 93, 109, 113, 115, 118, 119, 120, 122,
  130, 132, 135, 136, 154, 157, 158, 163, 172, 197, 202, 220;
  _Antony and Cleopatra_, 16;
  _As You Like It_, 38, 48, 51, 61, 62, 77, 78, 92, 100, 172, 186, 220;
  _Cymbeline_, 17, 62;
  _Hamlet_, 8, 12, 38, 39, 48, 51, 55, 60, 61, 67, 68, 71, 79, 89, 92, 100,
  101, 105, 106, 107, 115, 118, 121, 122, 130, 136, 175, 177, 181, 184,
  185, 187, 194, 203, 233;
  _Henry V_, 41, 77;
  _Julius Caesar_, 104, 125;
  _King John_, 119;
  _King Lear_, 17, 36, 43, 136, 174, 197;
  _Love's Labour's Lost_, 48;
  _Macbeth_, 17, 36, 43, 76, 77, 98, 118, 136, 144, 195;
  _Measure for Measure_, 220;
  _Much Ado About Nothing_, 36, 99;
  _Othello_, 17, 21, 37, 43, 51, 56, 58, 99, 136, 144, 154, 194, 230;
  _Richard III_, 48;
  _Romeo and Juliet_, 61, 76, 174, 232;
  _The Comedy of Errors_, 38;
  _The Merchant of Venice_, 61, 62, 77, 78, 109, 110;
  _The Merry Wives of Windsor_, 215;
  _The Tempest_, 48, 215;
  _Twelfth Night_, 36, 62, 78, 92, 109, 110, 197, 198;
  _Two Gentlemen of Verona_, 61.

Shaw, George Bernard, 43, 47, 143, 147, 222, 223, 224;
  _Candida_, 224, 225;
  _Man and Superman_, 47, 74;
  _Mrs. Warren's Profession_, 224, 225;
  _Plays Pleasant and Unpleasant_, 222;
  _The Philanderer_, 224;
  _The Quintessence of Ibsenism_, 143;
  _Widower's Houses_, 224.

Shelley, Percy Bysshe, 19, 144;
  _The Cenci_, 144.

_Shenandoah_, 101, 108, 157.

Sheridan, Richard Brinsley, 9, 64, 82, 123, 160;
  _The Rivals_, 132, 160;
  _The School for Scandal_, 40, 55, 64, 86, 101, 105, 123, 132.

_Sherlock Holmes_, 22, 121, 157.

_She Stoops to Conquer_, 38.

_Shore Acres_, 87, 193.

Sidney, Sir Philip, 73.

_Sistine Madonna_, 30.

Skinner, Otis, 91.

Socrates, 201.

_Song of Myself_, 182.

_Song of the Open Road_, 217.

Sonnenthal, Adolf von, 106.

Sophocles, 32, 60, 131, 135;
  _Oedipus King_, 25, 38, 60, 100, 144, 181, 219.

_Sorcière, La_, 65, 66.

Sothern, Edward H., 106, 107.

Southey, Robert, 19, 228;
  _After Blenheim_, 228.

_Spanish Tragedy, The_, 76.

Spencer, Herbert, 95;
  _Philosophy of Style_, 95.

Stevenson, Robert Louis, 31, 128, 170, 214, 221;
  _A Gossip on Romance_, 128;
  _Treasure Island_, 33.

_Story of Waterloo, The_, 157.

_Strongheart_, 41.

_Sunken Bell, The_, 194.

_Sweet Kitty Bellairs_, 86.

Swinburne, Algernon Charles, 19;
  _Atalanta in Calydon_, 20.


Talma, 64, 71.

_Tamburlaine the Great_, 73, 136.

_Tartufe, Le_, 100, 116, 230, 231.

_Tears, Idle Tears_, 195.

_Tempest, The_, 48, 215.

Tennyson, Alfred, Lord, 19, 31, 72, 193, 195, 196;
  _Becket_, 19, 72;
  _Idylls of the King_, 195;
  _Tears, Idle Tears_, 195.

Terence, 26, 35, 50.

Thackeray, William Makepeace, 35.

_They_, 52.

Thomas, Augustus, 16, 45, 46, 63, 203, 230;
  _Mrs. Leffingwell's Boots_, 16;
  _The Witching Hour_, 16, 45, 46, 63, 203, 230.

_Tosca, La_, 40, 65, 105.

_Treasure Island_, 33.

Public-domain text, read in full here on John Shaqi.

The Theory of the Theatre, and Other Principles of Dramatic Criticism

The Theory of the Theatre, and Other Principles of Dramatic Criticism

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