[Illustration: Lomaland Photo. and Engraving Dept. ANOTHER PANEL FROM THE ALBERT MEMORIAL] [Illustration: Lomaland Photo. and Engraving Dept. PORTION OF DECORATIVE FRIEZE FROM THE ALBERT MEMORIAL] [Illustration: Lomaland Photo. and Engraving Dept. CONTINUATION OF DECORATIVE FRIEZE FROM THE ALBERT MEMORIAL] GREAT NAMES IN ART. SCULPTURES FROM THE ALBERT MEMORIAL: by an Art Student The first illustration represents a group of architects of modern, or comparatively modern times; the majority are British. This, and the four other groups which follow, are from the high-relief or frieze on the pedestal of the Albert Memorial in Hyde Park, London, and were executed by J. B. Philip, about forty years ago. Although the immense sum of $600,000 was lavished upon the monument to Prince Albert, the estimable consort of Queen Victoria, the memorial has never been regarded as a satisfactory work of art. The general design has some original and interesting features, but the structure is overloaded with gilding and mosaic, and the execution is mechanically rather than aesthetically distinguished. The statue of the Prince himself is inadequate, and the large groups of figures representing the Four Quarters of the World, Industry, etc., though they may have passed muster in the mid-Victorian period of the '60s and '70s, are not up to the artistic standard of today. London has been singularly unfortunate in the quality of its public monuments, and it is to be feared that the new Memorial to Queen Victoria which has just been unveiled, will not raise the average. There are one hundred and nine figures on the pedestal, a large portion of which are shown in our illustrations. They include painters, poets, architects, sculptors, and some heroes and reformers. They are of far greater interest from the historical associations they arouse than from their artistic quality. The seated figure in the center of the first illustration is the famous Sir Christopher Wren, (1632-1723) the builder of St. Paul's Cathedral, London, and pre-eminently the most distinguished British architect who has flourished since the Gothic period. He was one of the most original geniuses of the Renascence. Wren had an extraordinary field for his talents opened to him by the immense destruction caused by the Great Fire of London in 1666, and he was certainly the right man in the right place. Not only did he rebuild St. Paul's Cathedral but fifty other London churches. Up to date, St. Paul's is the largest and finest Protestant Cathedral in the world. Though open to criticism in some of its minor details and constructive arrangements, it is allowed to stand foremost among buildings of its class in Europe, St. Peter's possibly excepted.