The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Religion
The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Theosophy -- Periodicals
The circle was called by Pythagoras "the most beautiful of all plane
figures" and in its form with the center unmarked, corresponding to the
monad or the one in arithmetic, was placed in a category by itself. The
circle with a dot at its center corresponds to the duad, the triangle
to the triad, the square to the tetrad in its actual as opposed to
its potential form, which is that of the tetradic dotted triangle,
as previously explained, the potential equivalent of the decad. The
pentagram or five-pointed star corresponds to the pentad, and the
hexagram to the senary. The circle with its diameter indicated the
actual dekad or 10 (for we no longer write the one within the circle to
represent ten) as opposed to the potential equivalent of the dekad, the
tetraktys. In his solid geometry Pythagoras taught that "the sphere was
the most beautiful of all solid figures," and in its form corresponding
to the monad, it was classed by itself. Pythagoras explained that both
the earth and the kosmos were spherical in shape, and added that the
universe was made up of five basic solid figures, which were built up
from the triangle and the square: namely, the cube; the tetrahedron;
the octahedron, a figure with its eight sides formed by equal
equilateral triangles; the dodecahedron, a figure with twelve faces
formed by regular pentagons; and the icosahedron, a figure composed of
twenty equal and similar triangular pyramids whose vertices meet at the
center of a sphere, which is supposed to circumscribe it.
(3) Music
Turning to Pythagoras' teachings in regard to music, which he regarded
as a very important help in controlling the passions, it is said that
he was the first to teach the Greeks the tonic relations of the musical
scale, and invented for them the monochord, a one-stringed instrument,
used in measuring the musical intervals. Upon these relations he built
his celebrated doctrine of the Harmony or Music of the Spheres, that
is, that the heavenly bodies, composing our solar system, in the course
of their rotations emit the notes of the scale. H. P. Blavatsky and the
ancients explain this by saying that Pythagoras called
a "tone" the distance of the Moon from the Earth; from the Moon to
Mercury ½ a tone, thence to Venus the same; from Venus to the Sun 1½
tones; from the Sun to Mars a tone; from thence to Jupiter ½ a tone;
from Jupiter to Saturn a tone; and thence to the Zodiac a tone; thus
making seven tones, the diapason harmony. All the melody of nature is
in those seven tones and therefore is called "the Voice of Nature."
Public-domain text, read in full here on John Shaqi.
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