The composition of the members of the House of Lords consists of Lords spiritual (Bishops), and Lords temporal. The latter include the five dignities of Duke, Marquis, Earl, Viscount, and Baron. No new dignity has been created since the time of Henry VI, when the rank of viscount was established. In the reign of Queen Elizabeth there were only fifty-nine temporal peers, but the present number is about ten times as many. The principle under which a peer holds his seat is in the main the hereditary one, but there are a few peerages which are bestowed for life only. The peers who are judges, sitting as a judicial tribunal, constitute the Supreme Court of British Law, and the presiding peer of the whole House, the Lord Chancellor, is a lawyer, and always belongs to the party of the government in power. The Lord Chancellor's seat is known as the Woolsack; this peculiar term comes from a period in Elizabeth's reign when wool was the staple industry of England and its export was forbidden; sacks of wool were kept in the Chamber of Peers to remind them of its importance. MUSIC NOTES: by Charles J. Ryan Richard Wagner's autobiography, just published to the world at large, though it does not include the last twenty years of his life when he had attained success, has made a great stir among all who are interested in the study of human nature. It is an amazing self-revelation, and, from the Theosophical standpoint, a striking example of the duality of man. The popular conception of Wagner is amply confirmed by this "human document." But why should we waste our time, and perhaps feed our own sense of self-righteousness injudiciously, by dwelling on the failings of genius? Have not the great men given us, in their immortal works, that which is really worthiest of remembrance? Whatever his personal shortcomings were, Wagner never failed in his loyal devotion to his ideal in music-drama; he dared everything and suffered greatly in his protracted efforts to lead the incredulous world to listen to his novel and glorious revolutionary forms, which he knew to be superior to those of his time. The soul behind stands out in his immortal music, high above the limitations of his personality, for there was that in him which had listened to the music of the spheres and which lived serenely apart from the jar and jangle of the petty life. That it is possible for an inspired Soul in touch with the Realities to force its way through all kinds of difficulties, even the greatest--the incarnation in a hindering personality--and to deliver its message of living beauty to men, seems to be the principal lesson this ill-advised autobiography teaches. It would have been better perhaps that it had never seen the light, for there are not many who have the understanding of the complex nature of man, the higher and the lower, which alone can interpret so unusual a character. * * * * *