The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Religion
The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Theosophy -- Periodicals
We have just received another important work from the indefatigable and
accomplished pen of Professor Osvald Sirén, PH. D., of the Stockholm
University. It is a study of Leonardo da Vinci's life and work, a
most complete and thorough monograph of 468 pages, magnificently
illustrated by hundreds of full-page and smaller reproductions, the
majority taken from Leonardo's pictures, sketches and diagrams; the
rest are mostly from the works of other painters which throw light upon
the special points discussed; there are also some pleasing views of
places referred to. The first edition consists of 700 numbered copies,
beautifully printed on thick paper, and is in all respects but one a
perfect example of what such a book should be; the one thing lacking
is an index to the subject-matter and illustrations. This can easily
be remedied in the next edition, for there is no doubt that another
will immediately be called for, as the work will be invaluable to all
lovers of art who wish to read the latest and most complete analysis of
Leonardo's career and to learn the results of the most recent research.
This edition is, of course, written in Swedish, but we understand that
in response to the demand, it will soon appear in other languages, and
so be made accessible to a much larger public. Dr. Sirén has spent a
long time in Italy and elsewhere studying everything connected with
Leonardo and his contemporaries, and this volume is largely the result
of his original researches. It has been very favorably received by the
most competent Swedish critics.
The monograph is founded upon a series of lectures lately given in
the University of Stockholm (in which Dr. Sirén occupies the chair
of Art-history) and it has been the author's aim to show the great
master as he appears in his works and writings, with as little of the
"personal equation" of the writer visible as possible--to make Leonardo
tell his own story--but at the same time, one cannot help feeling and
approving of the warm glow of appreciation which inspires every word
Dr. Sirén writes about his hero. His admiration for the master seems
to have influenced his style, for there is a greater simplicity and
clearness, and a more easy flow of words and sentences than we have
observed in previous works from his able pen.
Public-domain text, read in full here on John Shaqi.
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