The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Religion
The Theosophical Path Illustrated Monthly Volume 1, July-December, 1911
Theosophy -- Periodicals
Set this clock to beat twice as fast again, and having listened a
moment so as to get the sense of the new note, stop it. Set a second
clock to beat _five_ for the first one's four. Listen so as to get the
sense of it and then stop that clock also. Set a third to beat _six_
for the first one's four and do the same.
Now start them all at once. You cannot by counting ascertain that
whilst one beats six the other two are respectively beating five and
four. But your appreciation of the fact takes the form of _hearing
the musical chord do, mi, sol_, C, E, G, the common chord in its
first position. Is not the perception of that chord, the acceptation
of that state of feeling, really a recognition of the ratio, a highly
transcendental counting? In the feeling you have the _meaning_ of the
numbers and of the ratios between them. It is those numbers themselves
viewed from a high standpoint.
The same might be said of every other chord. Listening to music is
perceiving ratios of vibratory speed between the successive notes and
chords, transcendental counting. The feelings aroused are what those
ratios _mean_. The meaning, the feeling, of the composer gets out into
expression through those numbers and ratios. Number in the ordinary
one-plus-one sense is the body of music; number in the transcendental
sense is its soul.
We cannot in the ordinary sense count ether-touches on the optic
nerve. But when they reach a certain number of trillions per second we
suddenly perceive the _meaning_ of that number--which we call the color
red or the sensation of redness. When the rapidity is seven-fourths as
many we get the sensation violet. But there is more than a sensation;
the colors have an _aesthetic_ and emotional value. And when colors,
that is rates, are juxtaposited in certain ways we get _art_ and the
value may become _spiritual_.
But no two people are affected in exactly the same way by the same
piece of music or of art work, though the souls of both may be touched.
Since, as we have seen, the highest aspect of number and ratio is
_spiritual meaning_, we can already see something in the Pythagorean
saying that the soul is a number and a ratio or harmony. In its
self-consciousness it has a spiritual meaning for itself; it means
something to itself; it understands itself. And so each soul, each with
its own special nature or meaning, reacts a little differently to the
spiritual meaning of numbers and ratios coming to it from without.
Public-domain text, read in full here on John Shaqi.
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